Directed by:
Henri-Georges ClouzotCinematography:
Armand ThirardComposer:
Georges AuricCast:
Yves Montand, Charles Vanel, Antonio Centa, Peter van Eyck, Véra Clouzot, Folco Lulli, Darío Moreno, Grégoire Gromoff, Darling Légitimus, François Valorbe (more)VOD (3)
Plots(1)
In a small, isolated, hot and dusty Central American village, there's only one thing to do: dream of getting out. An opportunity for escape presents itself -- but only to those with nerves of steel. An American oil company has offered to pay big bucks to get two trucks filled with nitroglycerin over to a well fire. The catch: the unpaved terrain contains enough bumps and crags to make the unstable material explode... and instantly kill the driver. Nonetheless, the company has many applicants hungry for work, and a quartet of the coolest are chosen. But even these stalwart men will discover that fear of their deadly payload can ignite even the most frozen emotions. (official distributor synopsis)
(more)Reviews (7)
“The Wages of Fear is probably the best thriller in world cinema because the suspense doesn’t come from an artificial construct, but from real life." British film critic, Basil Wright, 1972. I would just like to add to this that this claim still applies more than twenty-five years later. And the movie is better than the book it is based on, which, however, certainly deserves no high praise.
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Utterly unique. The most suspenseful or second most suspenseful movie I've ever seen. The first hour is a boring but absolutely necessary preparatory manoeuvre for an uncompromising and formally riveting spectacle, which even today ranks in my eyes among the top of several genres. Rarely do we, as viewers, feel such fear and excitement just because the camerawork is flawless and the actors perform as if their lives depended on it, and it's really rare how the psychologically and visually exquisite anxiety builds up precisely throughout the long 150 minutes. The closing five minutes may be a bit too out of context, but the rest is undoubtedly among the best cinema has to offer – I've probably never been this emotionally drained after a black and white film. 100%
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A rough, dirty, sweaty movie. Some might think that the half-hour introduction of the characters and the following half-hour, after which the first truck finally hits the road, will hold up the plot. But not at all - it is just part of The Wages of Fear. This is all the more so later in the frantic and nerve-wracking trek through the jungle and mountains, where daredevils become cowards, nerves are at play, every tremor can be fatal, and fear equals caution, which sometimes really pays off. Yves Montand's character is definitely not one of the greatest characters on the screen, but you root for him anyway. That's the kind of movie it is. Of all the memorable scenes, I would highlight especially the lake of crude oil.
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At first, it looks like it's going to be a social drama from the slums, but once we hit the road with trucks full of nitroglycerin and guys who are only after money, it turns into an incredible drama. The label as a thriller is not misleading at all. There are great scenes here that are disasters in themselves, but they promise an even more intense ending.
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It’s hard to say which version is better. Both have their emotional peak, the French one in the form of a crossing over an oil pond and its tragic consequence, while Friedkin's has an unforgettable scene a crossing a rope bridge over a raging river. Otherwise they are both completely different and complement each other beautifully. Perhaps only the French original has an unnecessarily long introductory part, which lasts more than an hour and needs to be cut, but otherwise it is a hearty portion of first-class filmmaking. And young Yves Montand looked like David Gahan from Depeche Mode :o)
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