Directed by:
Henri-Georges ClouzotCinematography:
Armand ThirardComposer:
Georges AuricCast:
Yves Montand, Charles Vanel, Antonio Centa, Peter van Eyck, Véra Clouzot, Folco Lulli, Darío Moreno, Grégoire Gromoff, Darling Légitimus, François Valorbe (more)VOD (3)
Plots(1)
In a small, isolated, hot and dusty Central American village, there's only one thing to do: dream of getting out. An opportunity for escape presents itself -- but only to those with nerves of steel. An American oil company has offered to pay big bucks to get two trucks filled with nitroglycerin over to a well fire. The catch: the unpaved terrain contains enough bumps and crags to make the unstable material explode... and instantly kill the driver. Nonetheless, the company has many applicants hungry for work, and a quartet of the coolest are chosen. But even these stalwart men will discover that fear of their deadly payload can ignite even the most frozen emotions. (official distributor synopsis)
(more)Reviews (7)
At first, it looks like it's going to be a social drama from the slums, but once we hit the road with trucks full of nitroglycerin and guys who are only after money, it turns into an incredible drama. The label as a thriller is not misleading at all. There are great scenes here that are disasters in themselves, but they promise an even more intense ending.
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“The Wages of Fear is probably the best thriller in world cinema because the suspense doesn’t come from an artificial construct, but from real life." British film critic, Basil Wright, 1972. I would just like to add to this that this claim still applies more than twenty-five years later. And the movie is better than the book it is based on, which, however, certainly deserves no high praise.
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A rough, dirty, sweaty movie. Some might think that the half-hour introduction of the characters and the following half-hour, after which the first truck finally hits the road, will hold up the plot. But not at all - it is just part of The Wages of Fear. This is all the more so later in the frantic and nerve-wracking trek through the jungle and mountains, where daredevils become cowards, nerves are at play, every tremor can be fatal, and fear equals caution, which sometimes really pays off. Yves Montand's character is definitely not one of the greatest characters on the screen, but you root for him anyway. That's the kind of movie it is. Of all the memorable scenes, I would highlight especially the lake of crude oil.
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A textbook thriller. Luckily I saw Friedkin’s remake before this (let’s be honest, although it’s excellent, it doesn’t come anywhere near this pearl of cinematography), because this ride is... well, hold on tight! A great introduction sequence, overflowing with snappy lines (the choice of dubbers was perfect) and then nerve-racking journey with the truck full of rattling crates of nitroglycerin. None of it can compete with the qualities of Friedkin’s bridge crossing, but in terms of characters, this one wins hands down. The actors led by Yves Montand and Charles Vanel are perfect for their roles and particularly Montand’s Mario is a perfect swine. "A man who drinks only water wants to order me around like some lord. Rosa, bring water, the gentleman is thirsty."
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It’s hard to say which version is better. Both have their emotional peak, the French one in the form of a crossing over an oil pond and its tragic consequence, while Friedkin's has an unforgettable scene a crossing a rope bridge over a raging river. Otherwise they are both completely different and complement each other beautifully. Perhaps only the French original has an unnecessarily long introductory part, which lasts more than an hour and needs to be cut, but otherwise it is a hearty portion of first-class filmmaking. And young Yves Montand looked like David Gahan from Depeche Mode :o)
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