Cinematography:
Ben DavisComposer:
Pinar ToprakCast:
Brie Larson, Samuel L. Jackson, Jude Law, Ben Mendelsohn, Annette Bening, Lashana Lynch, Djimon Hounsou, Gemma Chan, Clark Gregg, Lee Pace, Akira Akbar (more)VOD (4)
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Set in the 1990s, Marvel Studios' Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe's most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the center of the maelstrom. (Disney / Buena Vista)
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Reviews (17)
Captain Marvel is a nice chill-out movie without the great drama of The Avengers, which it doesn’t really need. The only character whose emotions are explored in depth is the protagonist; everyone else is either there to provide comic relief or a villain with a surprising plan. The setting in Los Angeles (and the surrounding desert) in the 1990s enables a lot of cool jokes and establishes the overall lighthearted mood of the movie (Samuel is immortal!). This was what I liked best about Captain Marvel. Plus Brie Larson. The movie benefits from casting her and not a sexpot like Amber Heard. Larson is more approachable, natural and cute.
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A Marvel film about a strong woman for strong women, though considerably less inventive than the similarly-themed Wonder Woman from DC. Brie Larson is fine, and the subtle winking at the nineties is of course nonchalantly elegant (including the rejuvenated Samuel L Jackson), but everything is devastated by the same tired song about mysterious aliens with the goal of destroying our planet, or conquering the universe. It’s just something you don't want to see for the 25th time, even with the best execution.
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So how’s the first female solo film from the MCU? Weak. The idea of casting Brie Larson as Carol Danvers didn't work for me, and the only actor I like in the whole film is Annette Bening, because she's great. Otherwise, it's just another piece of the puzzle. The action is unclear, and the appeal to little girls and their dreams is obviously overdone. I was hoping for more of a 90s vibe, but other than the video rental and the use of "Just a Girl" by No Doubt, it’s really not great.
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I can hardly find a less charismatic superhero in the Marvel franchise (yes, I take into account Ant-man, Wasp and Scarlet Witch). Which is multiplied by the fact that Captain Marvel is inherently uninteresting; she has no weakness, her ability (s) are too “great", uninteresting in nature and visually manifested purely through CGI, or as soon as she takes action, Brie Larson literally disappears for several long minutes at the expense of some confused flashing animated hero with long hair. And that's a shame, because even though Brie isn't completely convincing, she still, like Carol, at least gives the impression that there's something in her. Nevertheless, despite all of the above, it is one of the best Marvel origins ever. It´s well-paced, Jackson, the characters around Carol do their job “to the fullest", the nineties stylization also fits, and especially thanks to Skrulls, it has a “heart" that is often ignored in Marvel movies.
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Captain Marvel is a film that, like its protagonist, seeks its true identity and is not very successful in doing so. In its better moments, it is a fast-paced buddy movie with a digitally facelifted Samuel L. Jackson and Brie Larson in a Nine Inch Nails t-shirt, thus rather an extended episode of The X-Files (but without the mystery). In worse moments, it is a sterile space/soap opera (but without a sufficiently detached view). The overarching “detective” framework, in which Vers searches for who she really was/is, has an original exposition (Carol is a more or less “burnt-out” superhero from the beginning; she only fulfils a role that is not her own), though the development remains very predictable. In addition to that, it does not raise enough questions that would maintain our curiosity (which is even truer of the second of the two origin stories, following the inception of the Avengers). Its rhythm, characterisations and (towards the end) CGI are grating. The story arc is mediocre, the environment is nondescript and, with the exception of some surprising background music, the action scenes are generic. The emancipation storyline approaches naivety and literalness (when the heroine has to stand on her own two feet, then she stands on her own two feet, in several consecutive shots, culminating for the sake of certainty with the declaration “I don't have to prove anything to you” – for its unforcedness, the scene in which Brie Larson walks through a video rental shop among VHS tapes with 1980s hypermasculine action heroes is far more telling). The problem lies in the fact that, in its old-school simplicity, Captain Marvel is not as consistent as the formally and stylistically much cleaner Wonder Woman. Other than Brie Larson, the film’s main value added, thanks to which it is not (by a slim margin) the weakest Marvel movie, comprises an orange cat and the cameo of Stan Lee reading the Mallrats screenplay. 65%
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