Directed by:
Garth DavisScreenplay:
Luke DaviesCinematography:
Greig FraserCast:
Dev Patel, Sunny Pawar, Priyanka Bose, Tannishtha Chatterjee, Nawazuddin Siddiqui, Deepti Naval, David Wenham, Nicole Kidman, Todd Sampson, Rooney Mara (more)VOD (1)
Plots(1)
Five-year-old Saroo finds himself alone and travelling on the wrong train away from his home in northern India. Frightened and bewildered, he ends up thousands of miles away, in chaotic Kolkata. Somehow he survives living on the streets, dodging all sorts of terrors in the process. Eventually ending up in an orphanage, Saroo is adopted by an Australian couple, and finds safety and love as he grows up in Hobart. Not wanting to hurt his adoptive parents' feelings, he buries his past, his emotional need for reunification and his hope of ever finding his lost mother and brother. But a chance meeting with some fellow Indians reawakens his secret yearnings. With just a small store of memories, and the help of some newly-developed satellite-imaging technology, Saroo embarks on one of the greatest needle-in-a-haystack quests of modern times. Adapted from the incredible true story A Long Way Home by Saroo Brierley. (Transmission Films)
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Reviews (8)
Dev Patel has come a long way from the nerdy from the slum, Rooney Mara surprised us with her civility, and Nicole Kidman reaffirmed her skill and the weight of her stardom, which very often provides a compass to quality cinematic experiences. I took a deep breath and slowly returned to the roots of my love for Indian cinema, inspired by a series of dramas in the same vein as Lion. If you're not indifferent to pathos and consider the story to be the center of the film narrative, you've come to the right place.
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The exciting first third of Lion with the lost Sunny Pawar is excellent. The boy is ready to be welcomed by Hollywood,
where such a photogenic and talented child actor appears once in a decade. In the later parts of the film, however, there
are plot inconsistencies with respect to cause and effect, and the lengthy, straightforward tear-jerking at the end
completely spoils the movie.
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If I think about it, this movie has the most beautiful premise of all those movies nominated for an Oscar. You see, it shows that the existence of the Western world sometimes really does make sense. I feel sorry that the first half of the movie with the Indian lead role is much nicer and better than the other half. Dev Patel, even though he is a very good actor, put into the movie a whole number of questions and misunderstood moments, which is not say that I have to understand those, but he simply didn’t convince me to actually root for him. Sunny Pawar was probably the best child actor I have ever seen and scenes involving him were a pure balm for the soul. I must say that it’s been quite long sice I had two opinions about a single movie that are so strongly influenced by the acting performance in the lead role. But as a whole, I do agree that Lion is a huge movie and it’s beautiful to see that even stories like these can have a happy ending.
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I wasn't sure about the one-sided focus on pitying orphaned or abandoned Indian children, but when the motives increase with each passing minute, it turns into a whole different story. Saroo is not only searching for family and answers, but also himself, and in the portrayal by a seasoned Dev Patel, I believe him in this role to the very last minute. When combined with Nicole Kidman's well-received dramatic comeback, this year's academic underdog becomes a surprisingly ambitious piece, easily surpassing some of the overly obvious favorites.
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The first half, set in India, is almost worthy of a full rating, it makes you realise how spoiled and pampered our Western civilisation is, with all the packed supermarkets, hygiene standards and plenty of drinking water. The Indian realities are fantastically rendered here, last seen so impressively in a Hollywood studio film 9 years ago in Slumdog Millionaire. Unfortunately, the rest of the film is a drawn out thing that could have been told in 10 minutes, while emotionally it only slightly touched me. It’s a shame, the potential was there. This film is proof of what masters the Weinstein brothers are at promoting their films in the pre-Oscars season, the boys are able to push it beautifully with academics and journalists, the nominations are out of whack.
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