Cinematography:
Simon DennisComposer:
Mac QuayleCast:
Beanie Feldstein, Clive Owen, Sarah Paulson, Edie Falco, Annaleigh Ashford, Anthony Green, Billy Eichner, Margo Martindale, Kevyn Bashore, Mira Sorvino (more)VOD (2)
Episodes(10)
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Exiles (S03E01)
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The President Kissed Me (S03E02)
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Not to Be Believed (S03E03)
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The Telephone Hour (S03E04)
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Do You Hear What I Hear? (S03E05)
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Man Handled (S03E06)
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The Assassination of Monica Lewinsky (S03E07)
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Stand by Your Man (S03E08)
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The Grand Jury (S03E09)
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The Wilderness (S03E10)
Videos (3)
Reviews (1)
All can be summed up in one sentence, which is also heard in the series. When a woman is involved in a sexual scandal, it haunts her for years and complicates her work and personal life. When something similar happens to a man, he doesn't get such a hard time, some even praise him. And no matter how the affair with Monica turned out, the global view of the matter hasn't changed even after decades. That's why I was most looking forward to the phase of bringing the main couple together, which will polish Bill Clinton a bit, but paradoxically this part, inseparably linked with the character of bitter Linda, is disproportionately prolonged due to the fluctuating important presence of supporting characters. And while the trio Bill-Monica-Linda is played incredibly well, whether the actors resemble their real-life counterparts or not, the supporting roles, mostly portrayed by sympathetic actors, go beyond the norm and their storylines are often frustrating, especially Cobie Smulders and Billy Eichner. In short, the first five episodes, which needed the most dramatic care, could be condensed into two hours and nothing substantial would be lost. However, the whole media frenzy and interrogation, which I thought I knew very well, captivates with emotional richness and tangible vulnerability of the main character. I don't understand why previous seasons were showered with awards for the lead actors and yet "Impeachment" remains behind. Controversially timed controversial topic should not hinder objective merits. In the end, I rate it slightly lower than in previous cases because some longer storylines lead to nowhere, but despite that, I recommend this unexpectedly fitting adaptation to everyone who, like me, spent one summer at the end of the 1990s watching the news with family and hearing various theories about a certain dress being mentioned several times a night.
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