Directed by:
Adam McKayCinematography:
Barry AckroydComposer:
Nicholas BritellCast:
Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt, Marisa Tomei, Finn Wittrock, Max Greenfield, Melissa Leo, Rafe Spall, Hamish Linklater, Byron Mann (more)Plots(1)
In 2005, eccentric San Jose-based money manager and heavy-metal music enthusiast Michael Burry (Christian Bale) studies thousands of individual loans bundled into highly rated mortgage bonds and makes a startling discovery: The financial products are loaded with delinquent home loans certain to default over the next few years. While Wall Street bankers and government regulatory agencies ignore this ticking time bomb, Burry invents a financial instrument called the credit default swap in order to "short" the booming housing market — much to the dismay of his hedge fund's owners and investors. When slick young Wall Street banker Jared Vennett (Ryan Gosling) catches wind of Burry's strategy, he uses a tower of tumbling Jenga blocks to persuade hot-tempered hedge-fund manager Mark Baum (Steve Carell) that he too should invest millions in credit default swaps. Initially skeptical, Baum and his contentious team of wise-cracking young analysts (Jeremy Strong, Hamish Linklater and Rafe Spall) undertake their own investigation. Researching the housing market in Florida, they interview glib mortgage brokers who routinely obtain loans for grossly under-qualified home buyers and a strip-club dancer who's made zero-down-payment purchases of multiple properties. Meanwhile, 20-something money managers Jamie Shipley (Finn Wittrock) and Charlie Geller (John Magaro) also stumble upon the housing-market bubble. Hoping to break into the financial big leagues, they're distressed to find their $30 million fund falls almost $1.5 billion short of the requirements needed for a seat at the grownups' table. So they enlist banker-turned-environmental-doomsayer Ben Rickert (Brad Pitt), who uses his connections to help them make their own bet against Wall Street. By the time the market finally crashes in 2008, these contrarian investors will make billions yet will be forever changed by their experience. But while the financial institutions whose reckless behavior caused the problem are bailed out by U.S. taxpayers, millions of Americans lose their homes, their jobs and their retirement savings in an economic catastrophe whose effects are still being felt today. (Paramount Pictures)
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Reviews (18)
This is a very difficult movie to watch and I believe that I’ll watch it again soon. It’s got a lot of information about finances that I kept getting lost in. And it didn’t even help that there was an insertion here and there that explained some of the terms very nicely. For example, Margot Robbie in a bathtub made for a very pleasant insertion. But the 130 minutes still flew in a blink of an eye and I really liked that about the movie. It told a really difficult topic in a very interesting way. The director Adam McKay went wild with this one. And we can also thank the actors like Ryan Gosling, Christian Bale or Steve Carell, who have taken the story to new heights. And when it comes to Steve Carell, I must admit that the longer I’ve known him, the better roles he keeps getting. The Big Short was a big surprise. It presented the big mess-up that the entire America has been though in a really original way; although, it was a big mess-up for most ordinary people and then just a slight mishap for the selected few who think they rule the entire world. And often, they don’t just think so, unfortunately. As far as the global capitalism goes, this is an eye-opening movie. But just for a little while. Thinking about this for any longer could cause infinite depressions.
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If you have a problem even doing a regular tax return, you're going to get lost in the terminology, and that’s even if Margot Robbie fully gets out of the bathtub. On the other hand, I consider the actors being led with such precision and then having a hundred-and-thirty-minute conversation edited into such a dynamic whole (which is not boring, even if you don't really understand it in the finale) a unique demonstration of directorial skills. This is a decent improvement from the director of shallow comedies.
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Drowned in their own ambitions. The creators want so much to be the authors of a gripping wake-up call that they are almost unwatchable at their core. All the economic ranting lacks the bigger dramatic arc that propelled, for example, The Wolf of Wall Street, which the screenwriters obviously adore (evidenced not least by the ubiquitous and overly aggressive satire). Some personal stories make brief appearances here too, but due to the dilution of attention among the dozens involved, they vanish into oblivion. I understand that if you're going to discuss economics and mortgages for over two hours in a hundred and one different ways, we will have to immerse ourselves in professional terminology, but we still didn't really need that many. The constant dissection of more and more future financial catastrophes is downright tiring in the final act, it doesn't move the plot forward and merely redirects it into a screenwriter's twist it has already taken several times before. It's been a while since I was last this bothered over actors (in this case, the chameleonic Christian Bale and explosive Steve Carell) performing at full steam without managing to interest me in the consequences of their characters' actions.
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For me, the plot of The Big Short revolves too much around mortgages and banks. It lacks the playfulness and lightheartedness of The Wolf of Wall Street, which would be entertaining even if you saw it in Chinese. When the final credits informed us of “Where are they now” in text only, without photos of the characters, the names weren’t enough for me to know who these people were. But the actors were great, and I was the most surprised by Steve Carell, who seems to be transitioning from light comedies into character acting.
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A Little bit like Margin Call, a little bit like The Wolf of Wall Street, a little bit like John Oliver... Pell-mell, which holds together despite all assumptions and the creators do not play it safe. On the contrary, McKay has a nicely subversive and viewer-friendly approach to a topic that is difficult to grasp. His approach is perhaps too inconsistent (but thanks to this, it is exceptionally dynamic) and where "each of the great cast" steals a show for some time, but as a result, he managed to make a film that sheds light on the financial crisis in such a way that it works both dramatically and comedically (in the best moments even within the same scene) and, in addition, it was understandable even to those who have no idea what financial market is about.
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