L.A. Confidential

One of the best crime movies I have ever seen, and also one of the best scripts. Complex, mysterious, unpredictable, yet not confusing, it can be understood with a little attention. Personally, (hough it is a very similar movie) better than The Usual Suspects, because whereas that one mainly benefited from its shocking ending, here everything is carefully dissected, making the whole a little better. Curtis Hanson made a great film, one of the best crime movies and one of the most accomplished scripts ever. (07/22/2004)

A gangster film as it should be – bloody, sometimes even brutal, with tough heroes, inconspicuous traitors, a beautiful femme fatale, and a brilliant shootout at the end. Exactly the type of movie where you give it the highest rating without hesitation at the end and the only thing you can say about it is that it is simply divine... (08/28/2006)

Yeah, I got it after a second screening. A brilliant crime drama with a sophisticated script and the wonderful atmosphere of 1950s L.A., the film's main strength. The same can be said of the perfect cast lead by Crowe’s macho protector of women, he’s flawless. Guy Pearce outdoes himself here, this role opened him the door to the acting elite for a while, before it embarrassingly slammed in his face again a few years later. I am not giving this 5* just because the fairly similar Polanski's Chinatown is a notch better. (04/13/2003)

Well, I don't know, this is exactly the kind of over-hyped movie I don't see anything special in. The actors are probably the only thing I can praise the most, the cast is really very decent, but what else? For such a film I expected at least intelligent or funny dialogues, cool twists or some memorable scene, but unfortunately nothing came. For me, an average and slower crime drama with a good cast, but nothing special. Like hundreds of others. Too bad. (12/28/2014)

A stubborn gorilla with common sense, a crafty opportunist and a hypocritical, calculating careerist par excellence. All with a cop’s badge and doing things their own way. And all of them unknowingly working on the same case. A (non)noir multi-genre movie that in terms of plot and star-studded cast (and not just those in the main roles) was easily enough to make a trio of excellent movies, each of which could aspire to being a crime classic. Simply three in one in the form of a movie not to be missed, its only fault being that it didn’t finish one minute sooner - it could have avoided the undignified ending. And also a practical demonstration of “how to adapt a complex novel (Ellroy’s best - no less ingenious and ten times more complex) overflowing with characters, events and story for the big screen". (04/09/2011)