Directed by:
Curtis HansonCinematography:
Dante SpinottiComposer:
Jerry GoldsmithCast:
Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, David Strathairn, Kim Basinger, Danny DeVito, Graham Beckel, Simon Baker, Matt McCoy, Jim Metzler (more)VOD (3)
Plots(1)
1950s LA. The City of Angels might be sunshine and glamour to the rest of the world, but it's also filled with corrupt cops, murder cover-ups,and manipulative paparazzi. It's impossible to know exactly who's trustworthy and who's not as three detectives each use their own tactics to investigate a coffee-shop massacre. (Prime Video)
Videos (2)
Reviews (14)
Directed in a clear, formally "retro-cool" style, the plot is multi-layered yet still engaging, and the acting is perfectly precise. It deftly makes 1950s America and the City of Angels into an alluring backdrop, within whose seemingly heavenly purity lies the dirtiness of a morality to which human life, let alone the law are sacred. Over the expansive 130-minute runtime, Hanson fleshes out the characters of the police officers, who surely deserved better personal histories than the boilerplate phrase about an abused child's sordid past or an exemplary son following in his father's footsteps. This is only broken by Kevin Spacey's cynical, self-righteous Jack Vincennes when, when asked why he joined the police, he replies "I don't really remember." Yet even that doesn't stop the film from captivating us with every frame, from breathing its amazing atmosphere onto audiences, but also making them wonder how the hell Kim Basinger could win an Oscar for such a role. PS: For me, the moment when Bud White breaks the chair is one of the most iconic moments of cinema.
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Yeah, I got it after a second screening. A brilliant crime drama with a sophisticated script and the wonderful atmosphere of 1950s L.A., the film's main strength. The same can be said of the perfect cast lead by Crowe’s macho protector of women, he’s flawless. Guy Pearce outdoes himself here, this role opened him the door to the acting elite for a while, before it embarrassingly slammed in his face again a few years later. I am not giving this 5* just because the fairly similar Polanski's Chinatown is a notch better.
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Lol, who wouldn't want to be a tough guy like Bud White? To crush criminals with a fist of stone and gently protect women with the same hand? Russell Crowe perfectly plays the type of character that earned him his fame - the type of unbreakable tough guy with character. Guy Pearce as Lieutenant Exley is his excellent counterpoint - slimy, devious... L.A. Confidential utilizes their mutual energy, which they initially repel and then unite in a deadly blow. The seemingly disparate story, which flows in all directions, harmonizes perfectly in the finale and culminates in a magnificent shootout gambit. In the end, from the genre paintings of Sinful People of L.A., it becomes detective story with a good point and with a nice twist. Curtis Hanson has proven to be a pretty cool guy - his directing swings, the images alternate with brisk action and convincing retro... it's just one big dose of "dirty" police goodness. Rough, straightforward and as graceful as Kim Basinger’s ass. Jesus fuckin´ Christ!
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Well, I don't know, this is exactly the kind of over-hyped movie I don't see anything special in. The actors are probably the only thing I can praise the most, the cast is really very decent, but what else? For such a film I expected at least intelligent or funny dialogues, cool twists or some memorable scene, but unfortunately nothing came. For me, an average and slower crime drama with a good cast, but nothing special. Like hundreds of others. Too bad.
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A film so perfect that I'd like to climb each letter of the Hollywood sign in turn and salute it at length over the City of Angels. The retro atmosphere is so captivating that in the nineties it must have set the old generation's loins on fire. The actors are absolutely fabulous, from the characterful tough-guy Crowe to the role model Pearce and the cool playboy Spacey to the cold-blooded Cromwell, the direction is as polished as a pop star's fingernails (the scene with the corpse under the house is heart-attack inducing), and then there’s the script!! One bloody event unleashes an unreadable chain of intrigue and murder in which everyone is somehow implicated, and it's so damn wonderful to watch, thanks to the slowly unfolding communicativeness, the rhythmic switches between multiple storylines, and the superb portrayal of all the characters, that when it's over it seems the most sensible course of action to watch it again immediately. The only thing that’s beyond my comprehension is the Oscar for Basinger, the Academy must have had some kind of extended version where she's naked in the shower for 15 minutes, otherwise I don't get it... 100%
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