Directed by:
Robert ZemeckisScreenplay:
Steven KnightCinematography:
Don BurgessComposer:
Alan SilvestriCast:
Brad Pitt, Marion Cotillard, Jared Harris, Simon McBurney, Lizzy Caplan, Daniel Betts, Matthew Goode, Camille Cottin, August Diehl, Thierry Frémont (more)VOD (5)
Plots(1)
Allied agent Max Vatan falls for a French spy during World War II. When he learns she might be a double agent, he strives to prove her innocence. (Netflix)
Videos (29)
Reviews (11)
If it weren’t for the botoxed Brad Pitt and several scenes that reeked of Hollywood, where for instance a couple makes love in the midst of a sandstorm in Morroco and Marion Cotillard then gives birth during an air raid of London, I would be literally excited about the movie. I haven’t seen such great war atmosphere for a long time, which actually is no wonder. Robert Zemeckis is a great director and he’s truly great at creating high-quality atmospheres. The ending of the movie was also literally aced, but I guess Angelina Jolie probably wouldn’t share my excitement…
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Knight doesn’t write bad stories and when he pays homage to Hollywood classics like Casablanca, he manages to add an element of modernity. Pitt’s cold fish Max Vatan melting in the arms of Marion Cotillard in action scenes is still an effective killing machine and the spying game is much more convincing than usual. Details, details and more details. Zemeckis has made a strong genre piece with abundant gleaming camera shots and, the occasional feeble special effect here and there doesn’t matter in the slightest. A quality romantic wartime drama about family, love and good people in a difficult situation. Ideal for a date.
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Neither great nor terrible. As usual, the enemies run straight into the fire of the heroes, who are then able to leave the scene without any consequences. Then the film morphed into some sort of a romantic drama with war used only as a backdrop to the story. The situation was saved by the ending. A happy one would have clearly been unfortunate in this case.
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Robert Zemeckis is considered a visionary, but at the core, he is and will always be old-fashioned. And that old-fashionedness is insidious, because Allied pretend to be a Moroccan war trifle for a while, later transforms through intense action interludes into an honest drama, and then doesn't recoil from flirting with a good amount of tension. Over time, additional layers of storytelling are added, and in the end, there remains a taste of a pleasantly genre-defying spectacle that makes one forget about the overly drawn-out pace of the first act.
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Robert Zemeckis likes to dwell on the past, and all his famous films from the late 80s and early 90s are full of adventure, passion and joy that only the medium of cinema itself can convey. Romancing the Stone, Back to the Future, Who Framed Roger Rabbit, Death Becomes Her... They always had a touch of the good old days. And Allied is indeed the good old days, referencing Casablanca, serving up action, espionage, romance, not even parodying the scenes with the Nazis, just nostalgically remembering the time we romantically idealize.
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Gallery (141)
Photo © Paramount Pictures
![Allied - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/344/161344020_79d05d.jpg)
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