Directed by:
Robert ZemeckisScreenplay:
Steven KnightCinematography:
Don BurgessComposer:
Alan SilvestriCast:
Brad Pitt, Marion Cotillard, Jared Harris, Simon McBurney, Lizzy Caplan, Daniel Betts, Matthew Goode, Camille Cottin, August Diehl, Thierry Frémont (more)VOD (5)
Plots(1)
Allied agent Max Vatan falls for a French spy during World War II. When he learns she might be a double agent, he strives to prove her innocence. (Netflix)
Videos (29)
Reviews (11)
Emotionally, it's a bit of a cold story that ironically, especially at first, moves quite slowly, but Zemeckis does repair his reputation after the botched The Walk, as Allied may not work as well as a romantic drama, but it certainly works as a WWII spy film. Brad Pitt, of course, as has been the case for the last 10 years, is appropriately wonderful, and Marion Cotillard is traditionally, by eye contact, properly inscrutable. It's not an exemplary hit, but it's filmmaking from a filmmaker who rarely gets it really wrong. It has all the classic filmmaking frameworks that meet at least the standard, plus an absolutely lavish form with at least three over-the-top sequences and a beautifully stylized Morocco set to Silvestri's music.
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The triple combo of Robert Zemeckis, Brad Pitt and Nazis simply can't go wrong. Allied portrays the view of World War II from a different angle, which is always interesting. While the film is primarily a romantic drama, the chemistry between Pitt and the lovely Marion Cotillard works well here, the atmosphere is sombre and properly retro. There are only two action scenes, but they've got oomph, they're hard-hitting, and the party scene is one of the film's highlights. I'm a little disappointed that the film doesn't build up too much, the pace is rather slower, but I didn't get bored and that counts. The ending is properly shocking, which also rounds it up to four stars. Pluses: Excellent direction, excellent acting, retro atmosphere, R-rated. Minuses: longer running time, little action.70%
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Knight doesn’t write bad stories and when he pays homage to Hollywood classics like Casablanca, he manages to add an element of modernity. Pitt’s cold fish Max Vatan melting in the arms of Marion Cotillard in action scenes is still an effective killing machine and the spying game is much more convincing than usual. Details, details and more details. Zemeckis has made a strong genre piece with abundant gleaming camera shots and, the occasional feeble special effect here and there doesn’t matter in the slightest. A quality romantic wartime drama about family, love and good people in a difficult situation. Ideal for a date.
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Robert Zemeckis likes to dwell on the past, and all his famous films from the late 80s and early 90s are full of adventure, passion and joy that only the medium of cinema itself can convey. Romancing the Stone, Back to the Future, Who Framed Roger Rabbit, Death Becomes Her... They always had a touch of the good old days. And Allied is indeed the good old days, referencing Casablanca, serving up action, espionage, romance, not even parodying the scenes with the Nazis, just nostalgically remembering the time we romantically idealize.
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If it weren’t for the botoxed Brad Pitt and several scenes that reeked of Hollywood, where for instance a couple makes love in the midst of a sandstorm in Morroco and Marion Cotillard then gives birth during an air raid of London, I would be literally excited about the movie. I haven’t seen such great war atmosphere for a long time, which actually is no wonder. Robert Zemeckis is a great director and he’s truly great at creating high-quality atmospheres. The ending of the movie was also literally aced, but I guess Angelina Jolie probably wouldn’t share my excitement…
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