Directed by:
Martin CampbellScreenplay:
David MarconiComposer:
Cliff MartinezCast:
Jackie Chan, Pierce Brosnan, Rory Fleck Byrne, Ray Fearon, Charlie Murphy, Orla Brady, Michael McElhatton, Lia Williams, Dermot Crowley, Stephen Hogan (more)VOD (3)
Plots(1)
The story of humble London businessman Quan, whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love - his teenage daughter - is taken from him in a senseless act of politically-motivated terrorism. In his relentless search for the identity of the terrorists, Quan is forced into a cat-and-mouse conflict with a British government official, whose own past may hold clues to the identities of the elusive killers. (STX Entertainment)
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Reviews (10)
I didn’t expect the final result. When I saw Jackie Chan’s name, I envisioned a high-octane action movie. Instead, what unfolded was a spy drama about the IRA, focusing more on a sophisticated plot than on action. It might sound like I’m disappointed, but quite the opposite. Pierce Brosnan and his dialogues, spiced up with some very effective explosions and one-on-one combat scenes (which were handled by Chan), were great. The plot started off brilliantly, and toward the end, it seemed like the script was running out of steam, but I was always proven wrong (plus, thumbs up for the fact that even though there were many surprising twists, I didn’t get lost... everything made sense). Martin Campbell knows how to make a solid film (Casino Royale being a prime example). The ending, and especially Chan’s fight in the apartment with the bombers, confirmed that The Foreigner was a success. I definitely recommend it, not only to fans of the two lead actors. I give it 82%.
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Amazing! This movie absolutely reminded me of the reasons why I love Jackie Chan so much. Foreigner is a film that cleverly mentions still existing European terrorist organisations and their relationship with the political scene of that particular country. At the same time, it is dynamic and funny and sixty years old Jackie Chan steals all the action scenes for himself. Although during 30 percents of the fight scenes he looks like he will die of a stroke, he still manages to perform amazing somersaults and twists. I was really excited. This was exactly the kind of simple, stylish blockbuster full of European locations whose drive reminded me of Liam Neeson’s recent action movies and good old French crime films because of its thoughts and humanity.
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Jackie Chan and Pierce Brosnan are a great duo in this film. Jackie, even though his face says otherwise, hasn't aged and his skills are still great, and by that I mean his action skills because I don't doubt his acting skills. Even though he's mainly showing off his MacGyver skills, there's plenty of action and stunts too. He's still doing a good job of it!
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A real political (non) action thriller made in the old school way is the best policy. It is perhaps only hampered by the excessive Vandammian split between the two approaches; Chan's “(all) capable rambo-retiree having a vendetta" and Brosnan's “ambivalent intra-party IRA / Sinn Féin plotting". It seems that Chan's story line was additionally incorporated into Brosnan's. Because it plays a leading role and stands on its own (after all, Quan's actions have no effect at all it, everything would take place in exactly the same way without him). In any case, both story lines work great, but each on its own and there is no point in denying that even if they intersect in terns of plot, their style is completely different. Otherwise I think it´s great. Provided that you expect something in the style of a more chatty variation of Belmondo's Professional rather than Neeson's Taken.
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The Foreigner is a decent thriller in which Pierce Brosnan’s politician is a more interesting character than Jackie Chan’s avenger.
Brosnan is a British Kevin Costner – a charismatic nice guy who, however, can also be a great fit for a dark role when
he decides to take one from time to time. Do not expect to see too many of Chan’s fights, as they serve just to spice
up the story of dirty political schemes with undertones of IRA terrorism, which the film presents to the audience in
an attractive way with rising tension and pushing the characters into a corner. And frequent explosions. I enjoyed it,
mainly because of the great Brosnan and his Irish accent, and also thanks to Cliff Martinez’s score comprising
electronic music, which is seldom used in this particular movie genre.
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