Directed by:
Jim JarmuschScreenplay:
Jim JarmuschCinematography:
Frederick ElmesCast:
Adam Driver, Golshifteh Farahani, Nellie, Barry Shabaka Henley, William Jackson Harper, Chasten Harmon, Kara Hayward, Sterling Jerins, Luis Da Silva Jr. (more)Plots(1)
Paterson is a bus driver and part time aficionado poet. Each day he keeps a simple routine: he drives his bus, walks his dog, goes to a bar and drinks a beer. His only daily engagement is with writing poems, while living a beautiful love story with his partner. The most recent movie by Jim Jarmusch is developed in the course of a week and pays homage to the poet William Carlos Williams. It is about a celebration of the quiet triumphs and loses of the daily life, that finds poetry in the little things. (Interior XIII)
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Reviews (10)
It's kind of everyday poetry. This film flows so pleasantly, there is nothing overdone, there are no deep overwrought emotions (even the unpleasant event in the end is accepted by the main character with stoic calmness) and Paterson's poems, some of which I really liked, float above it all. The whole thing is thrown into a kind of chill-out mode, as Paterson slowly and deliberately recites his poems, the story flows quietly and is very nice to watch. And Adam Driver is a great actor. Great. He’s wasted in the Star Wars circus (even Scorsese has figured that out).
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A pleasant contemplation of things we've all seen somewhere else. Paterson won’t have us walking around the world with more verve and composing poems to everything that flashes in front of us, but seeing each day as unique and worthy of a friendly visit to a restaurant is something Jarmusch reassures us of with every endearing line and quirky human character. Paterson isn't the answer, it's a recommended guide to reading life.... and not a bad one at that.
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Far from real poetry. Nice, predictable and pleasant prose, in which a fan of Jarmusch will read nothing new and refreshing between the lines. Familiar Zen aquarium. I felt good in it, but nothing more, nothing deep... [Cannes 20016] Edit: I got used to Jarmusch's good films resonating with me for many months. There was nothing left of Paterson. No emotion, no scene, no desire to return to Paterson. He has no chance of surviving in Jim's garden of paintings and verses.
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Now you will finally see me for what I am! I'm clearly not smart enough to appreciate Paterson. I just don’t find it interesting to watch the day-to-day life of a bus driver with poetic inclinations and his extremely creative wife. I was so supremely bored that I almost nodded off twice, but I fought it until the bitter end. I thought I'd give Jim Jarmusch a call. His next movie could be about me. It would surely be just as boring, maybe even more so, which would certainly kick it up a notch in terms of quality. The bus breaking down sure gave the story a new edge and brought an incredible amount of suspense. Ugh…
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What Jarmusch has given me so far mostly resonated with me some more, yet Paterson, with all due respect to Driver's unique performance, doesn't have. After a few days, all I can recall is the likable hipster pose, which, though I resisted the idea tooth and nail at the sight of happy bearded men in leggings and Converse shoes after leaving the movie theater, is unfortunately just over the edge of being more pop than art.
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