Directed by:
Paolo GenoveseCinematography:
Fabrizio LucciComposer:
Maurizio FilardoCast:
Giuseppe Battiston, Anna Foglietta, Marco Giallini, Edoardo Leo, Valerio Mastandrea, Alba Rohrwacher, Kasia Smutniak, Benedetta Porcaroli (more)Plots(1)
The titular perfect strangers are actually seven long-time friends (three couples and one bachelor), all 40ish, who gather on a warm summer evening for a dinner party to watch a lunar eclipse. They agree that no private calls or messaging will disrupt their evening, and in a communal fit of 'we have nothing to hide' bravado, they place their devices on the table and declare that all incoming calls and texts are shared with the group (letting a caller know they're on speaker is considered a cheat). But what seems at first like an innocent and playful distraction between friends quickly turns into something more, as some eye-opening secrets about the partners and acquaintances opposite begin to emerge... (Madman Entertainment)
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Reviews (11)
Hypocrisy is a trait possessed by almost everyone who dines together in this movie. What seems to be fun at the beginning changes with time into a brutal emotional ride that just doesn’t end. An exemplary premise reflecting the present times where people cannot live without their smartphones and while walking at the sidewalk, they spend more time looking at their screens than that sidewalk. With this dialogue-based movie the Italians did the best they could.
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A very current subject treated in a very likeable way through a conversational dramedy that can be very urgent at times, but also maintains an evaluative distance through a number of light elements and deliberately exaggerated escalation. The final twist may not be worth thinking about or taking seriously in relation to the overall message, but I really enjoyed the course of the film, got to know the characters very quickly, and it flashed a minimal warning light in my head that I've seen this before somewhere else... 75%
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I was reminded of the dialogue from the sitcom Black Books: "Do you remember who all was at that dinner?" "I don't. Him and his friends. You know, the sort of people who talk about salad for five hours." Which indirectly captures the problem with Perfect Strangers. I didn't care about the characters. With one bright exception, it's just a bland gathering of upper-middle-class Italian hypocrites whose standard topics are food, drink, vacations, health, and each other's relationships. What then happens to these two-legged Elle catalogues as a result of their own boredom and disenchantment is truly irrelevant. So what can you do with them. Moreover, the whole thing is really just a stage play, with the film format bringing absolutely nothing extra to the table. For a truly bitter tragicomedy that can work formally within the limited space of a single apartment, I'd instead invite you to join the Hajdu family party in It's Not the Time of My Life.
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Perfect Strangers starts as a light and enjoyable relationship comedy about a group of long-time friends who, along with their partners, come to a party wanting to forget their worries, reminisce about the past, and enjoy the lunar eclipse undisturbed by their kids. Playful banter and a relaxed atmosphere lead to a foolish idea of revealing their privacy (after all, they have nothing to hide from each other) and conducting their phone calls with the speaker on. The voices of dissenting parties are silenced - those who disagree have something to hide. Soon skeletons start coming out of the closet, characters are exposed, and communication begins to dangerously falter. Positive emotions are replaced by distrust and bitterness. The comedy subtly becomes a moralistic drama. It is accurate and true to life, but I feel that for this film it applies more than to others that you need to have some life experience to fully enjoy it. It is simply a film for the middle generation who knows what a mid-life crisis is. I liked both the comedic and dramatic aspects, and I also appreciated the civility of the performances and the fresh quality of the actors. It is a movie that I will definitely come back to in the future. Overall impression: 90%.
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Perfect Strangers is an excellent conversational film built on a simple yet original idea escalated by some surprising
twists. True, Woody Allen or Roman Polanski would have given it the unique poetics of a great filmmaker, but can’t we do without
that? The success of the conventional form is all the more appreciated when it is due “only” to the right cast, brisk pace
and striking socially significant moments. The call from the 17-year-old daughter is the emotional, human peak of the
film, while the earrings scene is the best moment of the film’s comical side. And there is a nice ending in the style of La
La Land. I think an American remake, which would get a rating of about 68% on this website, is more than likely (with
Bateman, Sudeikis, Vergara et al?).
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