Directed by:
David LeitchCinematography:
Jonathan SelaComposer:
Tyler BatesCast:
Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Leslie Uggams, Karan Soni, Brianna Hildebrand, Jack Kesy, Eddie Marsan (more)VOD (4)
Plots(1)
After surviving a near fatal bovine attack, a disfigured cafeteria chef struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor - finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover. (20th Century Fox Home Entertainment)
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Reviews (15)
"If it ain't broke, don't fix it." This is exactly what the makers of Deadpool 2 followed, sticking to the sequel rules and simply trying to cram more of the things that audiences enjoyed last time into one film. And it works. It's still just as cheeky, gritty and fun. Plus, thanks to a new director, we get a level better action sequences, and besides, the trailers are far from spelling out everything that made it into the film. It's a shame about the slightly more rushed start, but even so, Deadpool 2 is at least on par with the first. Or rather, it surpasses it in every way.
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It's actually an incredibly positive and motivational film, not so much because of any family concept – everyone will dismiss the family values stuff with an ironic grin anyway (which is what the story is trying to do, after all) –, but rather for the vulgar and self-reflexive lightness, which brings up a smile that will be broader the more experienced the viewer is – and it’s nice to see an A-level Hollywood production making fun of the clichés and the moral and ethnic "laws" of A-level Hollywood productions in such an open way. What I didn’t enjoy is that it goes overboard with the self-awareness in places, which kills potentially impressive moments, especially around the great Cable, but all in all I had a good time, absorbing all the bold innuendo with gusto and watching with interest how the filmmakers, in a little chaotic and simplistic way at times (the opening and the ending), but mostly thoughtfully, manipulate the possibilities and structure of their fictional world, which also transforms into a commentary and reflection of Western pop culture depending on the situation. At times I felt that the motifs could produce more punchy and rich humour (for example, the obvious Terminator inspiration is done away with in one line), the constant dick jokes sometimes annoyed me, and to rate it better, there shouldn't be so many deaf spots or repetitive techniques. In sum, the winner is definitely number one, which had a more coherent effect on me, the second one is very funny, but the narrative is more cumbersome. 70%
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The same problem as with the second Kingsman movie or the second Kick-Ass movie; it should have made fun of clichés of excessive “the more the better" of the second movie and not to follow them. The second Deadpool thus became what the firs movie made fun of. And so the second movie is best characterized by the moment when Pool gives the audience a wink about a generic CGI battle, followed by a completely generic long CGI battle, as from every other blockbuster. And the same could be said about everything. The film makers have a dig at something, but a moment later they make the same mistake. For the second Deadpool movie it is twice as difficult in this respect, because where the first movie with a limited budget had to focus on only the most important staff, the second movie with much larger budget covers many different storylines, some of which are principal while other just fade away and turn into costly and excessive CGI action super scenes. However, despite all my criticism, it can still be biting and funny (most of all in the snuggle scene) and in fact sometimes even nice. But that is something you would expect from any good family movie about important life values.
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Luckily, Wade wasn't kidding this time either. It is indeed a family film. Without it, the puzzle of gags, charming lines, over-the-top situations, and breaking of the fourth wall would fall apart, but this time the plot foundation is even stronger than before. The first installment took too long to see what it could get away with, the second one jumps headfirst into genre clichés and isn't afraid to undermine them so much that I couldn't believe my eyes (the X-Force airdrop). I didn't trust David Leitch at all, so the relief that Ol' Red is in good hands was ultimately more than surprising.
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While I was watching the movie, I thought a lot about whether the direction Deadpool is taking is good for him. Later on, I realized that it offers brutal potential. Compared to the Avengers’ skirmishes, this story is about as important as when you smash a fly on the window. But it has plenty of great ideas. It turns a bunch of uninteresting characters from the Marvel Universe into a great team that is fun to watch. I was a bit taken aback by Josh Brolin, but in the end I didn’t mind his version of the Terminator at all. I was also entertained by the idea of putting into a Marvel movie a guy from New Zealand from the Hunt for the Wilderpeople. I doubt this wasn’t Taika Waitihi’s idea when he was filming Thor. The thing is everything seems too interconnected in this world. I personally don’t mind it at all. The story is pretty much about nothing, but after watching this sequel I almost feel like it is slightly better than the first movie. And moreover, there is a whole number of inconspicuous details that are pretty important for the course of the entire Marvel Universe history. So, this film definitely won’t get lost in the history of comic books turned into movies.
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