Directed by:
Julia DucournauScreenplay:
Julia DucournauCinematography:
Ruben ImpensComposer:
Jim WilliamsCast:
Garance Marillier, Ella Rumpf, Rabah Naït Oufella, Laurent Lucas, Bouli Lanners, Joana Preiss, Marion Vernoux, Denis Mpunga, Jean-Louis Sbille, Sophie Breyer (more)VOD (1)
Plots(1)
Forced to eat raw meat during a hazing ritual at her veterinary school, a young vegetarian develops an overpowering hunger for flesh in all its forms. (Netflix)
Videos (2)
Reviews (7)
"Sister, what shall we have tonight?" And why not, sometimes you need this kind of sick bizarreness to wash your tired soul with some of that explicit nastiness. And since I'm an omnivore, I didn't mind it and instead tried to look for the positives. It's definitely got rising action, it's definitely well filmed, and you definitely won't be bored with it. Honestly though, it works much more as entertaining trash. I didn't find a critical work with an attempt at resonance – although I wasn't really looking for one, either. I simply enjoyed it.
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The film Raw will definitely have its fans because it is very well made and not afraid to show something that is really ugly. It's not a film that's full of violence, but you'll definitely find perversion here. Moreover, it's not a film without a story, it's a film that has a plot that goes somewhere. And that's what's nice about it. Even so, you may find the nastiness a bit self-serving at times.
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First of all, don’t go to Raw expecting horror. To present it as a brutal horror film that makes the audience faint is almost insulting. If anyone passed out while watching it, it must have been some old fart who would have passed out regardless, Raw or no Raw. Nevermind, I could have ignored this “scam” if the film was interesting and somehow stimulating. If only! The first-time director seems to be trying to say something profound about society, but does it with bullshit that stands on very shaky foundations. In order for her to take the plot where she needs, events lose their logical consequence and none of the characters behave like real people (the problematic use of gay secondary characters is only the tip of the iceberg), which is quite a problem for a film that wants to say something about people and that also takes place in the real world, and not in an alternative reality, like in The Lobster. This is self-absorbed, gratuitously provoking art that’s totally empty inside. The advanced première at the hipster cinema Bio Oko, in Letná, was really fitting.
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Who would have thought that this co-production film would be just my taste? (I couldn't resist the pun) Unlike similar horror films I'm used to from the overseas production, it was more of a psychological drama, although a diehard vegan would probably disagree with me and struggle with nightmares. The pace wasn’t exactly break-neck but I didn't get bored at all because I was enjoying the main character’s psychological transformation.
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The French have always been fond of these strangely slightly perverted, even perverse, themes and I always love them. The protagonist is a vegetarian who goes to vet school where she is forced to eat a rabbit kidney and from that point on she begins to develop a craving for meat that leads to cannibalism. An original premise that deals with quite serious themes (homosexuality, anorexia, cannibalism). It's more psychologically oriented, but there are a few gross things. It's convincingly acted, skillfully shot and considering the film is set in a school, which is usually close to my heart, I was supremely entertained throughout the entire runtime. The unexpected final denouement is also a plus. For me, France scores again. 75%
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