Directed by:
Jordan PeeleScreenplay:
Jordan PeeleCinematography:
Toby OliverComposer:
Michael AbelsCast:
Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, Caleb Landry Jones, Stephen Root, Lil Rel Howery, Lakeith Stanfield, Betty Gabriel (more)VOD (5)
Plots(1)
Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener) and Dean (Bradley Whitford). At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. (Universal Pictures US)
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Reviews (14)
The film features excellent screenwriting and above all directing, with a strange white panopticon, a properly soaked racist mindset, and above all the insistent feeling of "what the fuck...?". The intensity, where you pray that the plot will keep moving and you will learn a little more, works mainly because the protagonist maintains a rational approach throughout and the plot never once allows him to slip into a genre crutch. Moreover, this is brilliantly caricatured by the character of the best friend, who both introduces and breaks down traditional creative practices by commenting on upcoming events over the phone. It's terribly simple and yet perfectly thought out and embellished in detail, a work of art straight out of a magazine. 4 ½.
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I've seen a lot of poor horror movies lately that have been praised by American critics only because they were gender-progressive or originated in an exotic country and themed some form of oppression. At first glance, Get Out seems exactly like the "we have an explosive racial topic that someone has dealt with in all its explicitness" case, but from the opening scene Peele gives the impression that he is a) an excellent screenwriter who calmly turns a social metaphor into a grotesque slasher without the structure disintegrating, b) a director able to work with subliminal tension, which is guaranteed to escape the local horror experts, but certainly not an audience with a certain degree of cultivated attention to detail. The first third is a socially relevant metaphor for black masks, the middle builds tension, and the final acts offers peppery catharsis. Together, the acts make a film that is a more intelligent and serious reflection of racial identity for me than the whole of Moonlight. I was only bothered by a little superfluous ethereal music and a few places where you can see inside Get Out more than one would like. Otherwise, it’s great.
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A feature-length episode of Black Mirror, which the wave of last year's Moonlight and related racial themes nonsensically elevated to the level of a battle for Oscars. Daniel Kaluuya authentically experiences all the sensitive and menacing moments in the role of the main protagonist, and I am very glad to see the underappreciated Allison Williams in a leading role, but it's not enough. An interesting concept is not sufficient for an entire film, and after all the reviews, I inevitably expected a foundation of a new direction or at least a surprisingly well-guided genre film. However, nothing lies beneath this slightly superficial portrayal with its one-sided point.
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The completely reversed view of racism caused that Get Out is one of the most interesting thrillers that I have seen recently. Racist hatred created a very strong story here – and it’s best that you know as little as possible about it before watching. That way, you will be really surprised and at the same time you will feel suspense with every passing minute, which will make your experience of the movie even stronger. On top of that, I have to add that Daniel Kaluuya made a very interesting impression on me. We’ll see what other movies he comes up with in the future.
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There's a bit of a nervous director's claw in the horror scenes, and as a result the finale doesn't destroy you as much as it should, but up until that point it's such an apt and poignant escalation of the "black mask" issue that it's just impossible not to enjoy it. I'm rooting for commercial success to the hilt. As the cliché goes: it makes it real. Tarantino must have snorted with delight at this one.
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Gallery (41)
Photo © Universal Pictures
![Get Out - Photos - Catherine Keener, Bradley Whitford, Allison Williams, Daniel Kaluuya, Betty Gabriel](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/635/161635850_953fb3.jpg)
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