Directed by:
Greta GerwigScreenplay:
Greta GerwigCinematography:
Sam LevyComposer:
Jon BrionCast:
Saoirse Ronan, Laurie Metcalf, Tracy Letts, Beanie Feldstein, Lucas Hedges, Timothée Chalamet, Odeya Rush, Jake McDorman, Laura Marano, Lois Smith (more)VOD (4)
Plots(1)
In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. (Universal Pictures UK)
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Reviews (8)
I still can't come to terms with the fact that the same film, which stole the hearts of 99% of reviewers overseas, is considered just above average in the domestic market, despite its innocence and naivety. Perhaps here the cliché rule applies, when a viewer, spoiled by American whispering and the increasing number of prestigious awards, expects a life-changing spectacle and gets – Lady Bird. Small, angry, headless, sincere. When it gets under your skin, you understand that this is not supposed to be a life-changing experience, but the exact opposite. An honest depiction of the most average, ordinary, and therefore, the most enchanting adolescence. Everyone has experienced enough family and relationship turmoil, hopes, and leaps into the unknown, and even though mine may differ somewhat from those in which Christine was embroiled, the accompanying moods are almost identical. An easy spectacle that doesn't need to surpass any benchmarks.
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I really cannot comprehend what is so good about this movie. While Saoirse Ronan is more or less good as Lady Bird, still she is somehow disagreeable, angry and unlikeable, which makes me dislike her for a while. There is nothing funny, entertaining or at least a little bit interesting about this movie. Sure, you can see a certain world of a strongly Christian family that Saoirse is trying to defy, at least a bit. But it is no special kind of defiance, rather it is that defiance typical for any teenager and the director made a bigger deal of it than was necessary.
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Lady Bird, played by the great Saoirse Ronan, can be quite annoying at times, but I have a sneaking suspicion that I was the same way when I was her age. I regretted it too, but in my case, it was too late. This successful film about a girl's coming-of-age and self-discovery doesn't push the boundaries very much, yet it exudes a certain authenticity mixed with nostalgia, and I really enjoyed it. (80%)
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A very conventional coming-of-age film that is heavily predictable in terms of narrative and really has nothing to surprise you. On the other hand, Saoirse Ronan can definitely act and her performance is an experience in itself. Still, I can't shake the feeling that Lady Bird spends the entire time pretending to be something more than just another coming-of-age film about the complicated relationship between an adolescent daughter and her mother. It's fine for one viewing, but the likes of, say, Booksmart, left a far greater impression on me. [60%]
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I wasn't bored with this film, but then again, I wasn't exactly thrilled either. Christine rebels against everyone and everything under the influence of puberty and hormones, which is all that the story really has to offer. I was originally going to rate the film two stars, but I ended up adding one for Saoirse Ronan's performance, who was totally convincing in her obnoxiousness, and for the coach whose direction of the play was perfect.
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