Directed by:
Yorgos LanthimosCinematography:
Thimios BakatakisCast:
Colin Farrell, Nicole Kidman, Barry Keoghan, Raffey Cassidy, Sunny Suljic, Alicia Silverstone, Bill Camp, Anita Farmer Bergman, Denise Dal VeraVOD (5)
Plots(1)
Steven Murphy (Colin Farrell) is a successful cardiac surgeon who lives a happy life with his ophthalmologist wife Anna (Nicole Kidman) and their two children Kim (Raffey Cassidy) and Bob (Sunny Suljic). However, his perfect life starts coming apart at the seams after he befriends 16-year-old Martin (Barry Keoghan). Steven spends much of his time hanging out alone with the teenager and also invites him round to his upper-class home to socialise with his kids. However, when Steven visits Martin and his mother (Alicia Silverstone) for dinner, the teenager's motives for their unusual friendship become clear and it transpires he's willing to go to great lengths to get what he wants, to the detriment of Steven and his family. (Curzon Artificial Eye)
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Reviews (10)
It would be boring if all A-list filmmakers were normal. A disruption of a cold, perfectly rational world by an irrational
force, a demon that cannot be defeated. Not as eccentrically intellectual as The Lobster, but with more viewer-friendly
content, The Killing of a Sacred Deer is basically a genre movie for more discerning viewers. However, it is also unique in
its execution. It is hypnotically slow, with brilliant shots and Bernard Herrmann-style horror music, while also being
emotionally restrained and hellishly cruel. Colin Farrell is a chameleon and Nicole Kidman perfect as always, both as an actress and in
her underwear. And the young Irish devil Barry Keoghan looks promising. [Cannes]
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The end of the year is approaching and soon I'll be sharing my top picks, which will definitely include the oddity called The Killing of a Sacred Deer. The film is definitely not for everyone and is similarly controversial to the recent Mother!, but Greek director Yorgos Lanthimos definitely has talent (his previous films Dogtooth and The Lobster are also weird). The film is very disturbing from the start and we get the sense that something is not right. The dialogue and the actors' strangely theatrical speech is already odd but effective, and from the main twist onwards the film takes a decent turn and at times is not pleasant to watch. If you have kids you'll sympathise with the main character even more. Anxiety, unease, chills, breathtaking moments, impressive performances, bold dialogue and decent technical aspects make The Killing of a Sacred Deer a unique affair that despite its artsy form surprisingly suited and entertained me a lot. For me, a great recommendation, but I can understand the negative reviews. Naked Nicole Kidman is still gorgeous. 80%.
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A wonderfully and amusingly strange film that will be appreciated especially by lovers of plenty of black humor and unusual films with crazy plots. For anyone who has already had the honor of watching Lanthimos’s films, this is simply another of his original and imaginative satirical images of human society, governed by absurd rules and funny-freezing cultural habits, and their creator does not need to explain in any way. Bizarre art. The best in Lanthimos's filmography so far (for me).
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Yorgos Lanthimos shrewdly uses very modest means (with a modest budget) to create a hypnotic yet quite tense atmosphere. In fact, he makes ample use of distant and seemingly detached long camera shots and a musical motif that burrows under the skin and is a terrified jumble of a few simple sounds. The ambivalent presentation of Martin's character adds to the clearly hard-to-define (but very effective) atmosphere. At first glance, he looks and acts like a nice and innocent boy, while in reality he represents an evil similar to "that nice and innocent Damien" from The Omen.
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What drew me to watch the film was the cast. The bearded Colin Farrell was almost unrecognizable, only his eyes gave him away, and Nicole Kidman appeared slightly older, although her youthful charm couldn't be denied. It is the story of a cardiac surgeon who made a mistake during an operation in the past, which led to the death of a patient, whose son is now seeking revenge. An eye for an eye, a tooth for a tooth. However, you have the option to choose: sacrifice one of your children or your wife for the death of my father. Although it was somewhat cold and emotionally devoid in terms of acting, it was brilliantly filmed. I was fascinated by the eerily disturbing music that crept through the plot and greatly enhanced the depressing mood of the film. Barry Keoghan, playing the vengeful teenage son, portrayed his role so repulsively that I swallowed it hook, line, and sinker. (75%)
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