Directed by:
Scott CooperCinematography:
Masanobu TakayanagiComposer:
Max RichterCast:
Christian Bale, Rosamund Pike, Wes Studi, Ben Foster, Stephen Lang, Jesse Plemons, Adam Beach, Paul Anderson, Scott Shepherd, Bill Camp, Rory Cochrane (more)VOD (4)
Plots(1)
Written and directed by Scott Cooper, Hostiles takes place in 1892 and tells the story of an Army Captain (Christian Bale) who reluctantly agrees to escort a dying Cheyenne chief (Wes Studi) and his family back to tribal lands. On the journey, they meet a widow (Rosamund Pike) whose family was murdered on the plains and offer their help. As the former rivals make their way from an isolated Army outpost in New Mexico to the grasslands of Montana, their relationship moves from antagonism to compassion, demonstrating humans’ capacity for change. (Entertainment in Video)
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Reviews (11)
Hostiles is a harsh Western that relates the quest for mutual respect between two fighters on a politically oriented path (akin to Saving Private Ryan). Surprisingly, there are many parallels with another modern Western, 3:10 to Yuma, be it for the story structure, the similar atmosphere, or the starring of Christian Bale and Ben Foster. Otherwise, Hostiles follows its own slow-paced route and skilfully draws the audience in. Scott Cooper’s direction is flawless. The scene where Metz (Rory Cochrane) kneels in front of the chief’s tent would be incredibly clichéd if presented differently, but, thanks to the brilliant acting performance and the way Cooper directed, is, to my eyes, the highlight of the film. [KVIFF 2018]
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Given how thoroughly this film analyzes the feelings of all of its characters, it quite underestimated the importance of the portrayal of Bale’s character and the chief becoming friends, which is a key element in the story exposition. That may be due to the final cut, which was supposed to make the film more accessible to a broader audience by shortening its runtime. I would stretch the first third into the first half and extend the runtime to 150 minutes. Hostiles is so captivating, emotional, and psychologically and intellectually engaging that it could have become the (anti-)western of the decade, depicting the fucked-up period of American history in question most aptly among all of its genre cousins. Each minute is an intense testament of loss, torment and sadness.
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A wonderful story by the sensitive Scott Cooper. Minimalistically served, modestly presented but profound in its message. The moments of silence, thoughtfully spoken dialogue and knowing glances were more engaging for me than the scenes of horror and violence, which also have their place. I can see why this flopped in theaters, in this day and age of superhero Marvel and DC dreck, this old-school style of narrative is out of place with 99% of today's film output. And I understand why Christian Bale wants to make films like this, and I thank him for that and wish him well in his future film career.
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The premise gave me a feeling that this would be one of the best Hollywood experiences. And it really was. It has exactly everything is should and nothing more, nothing less. Christian Bale and Wes Studi greatly portray the best warriors of their respective sides and as destiny has planned, at the end of their lives they meet again just so one of them can carry the other home. And it is done on the President’s order. Brutal bloody scenes, unbelievably strong emotions, characters you pity, the darkness in their minds you can’t understand and the scenes you won’t forget. Undoubtedly a great experience and the last scene is probably the most beautiful and poetic movie ending I have seen in years.
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A purebred, rough western with an engaging and well-written plot, fantastic directing and brilliant actors - rumors about Christian Bale's best performance of his life did not lie, although it is debatable whether it is in fact his best performance (but it is definitely in the top 3 and it is amazing to see how great Bale acts using his eyes, eyebrows, the wrinkles on his forehead and mustache). However, there is no doubt about this being the best performance of Rosamund Pike’s career. Her tragic character combines female fragility with strength and determination, while Bale's protagonist is no less of a tragic warrior, who gradually runs out of comrades-in-arms in the ruthless environment. This is a film brimming with strong and serious themes, from controversy about violence, human nature, and morality and the burden of conscience, to the differences between murder ordered by someone, and murder in general. A majestic atmosphere, emotions, brilliantly written characters and perfect work with motifs. The last four minutes may be too sweet, but they are actually logical. The Indians may not be what they seem. Amazing film.
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