Directed by:
David AyerScreenplay:
Max LandisCinematography:
Roman VasyanovComposer:
David SardyCast:
Will Smith, Joel Edgerton, Noomi Rapace, Edgar Ramirez, Lucy Fry, Veronica Ngo, Alex Meraz, Happy Anderson, Ike Barinholtz, Dawn Olivieri, Matt Gerald (more)VOD (1)
Plots(1)
In an LA rife with interspecies tensions, a human cop and his orc partner stumble on a powerful object and become embroiled in a prophesied turf war. (Netflix)
Videos (7)
Reviews (10)
On the one hand, I thought this was original as hell, but on the other hand, the creators definitely didn't manage to get the most out of the world they present here. How the character of Jacoby is going to end up is clear from the start, Will Smith does what he always does, and Noomi is woefully underused. The potential here was much greater.
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Hats off, it takes guts to shoot a film like this one. While Will Smith is a great choice for this role, this world was so crazy that it took me a while to accept that elves, ogres and god-knows-what exist in our real world. Somehow, for me, the Middle Ages would be a better fit for that than our time. However, I have to pay tribute to the creators. To shoot a film like this and not fall among the B-listed is a real challenge.
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That "multiracial" world is definitely interesting and would certainly offer decent possibilities for building some wider universe in the future. Visually it's very high-level, simply kind of a slightly above standard Ayer film. It's just that script-wise it's so terribly simple and routine that all you really enjoy for the entire two hours is the setting (which is great and original) and the occasional wisecrack here and there. I can't say I was bored with it, because it's really good to watch. But the fact remains that a sober (strict) assessment will yield a visually attractive yet otherwise in almost all respects superficial and flat spectacle for the undiscerning viewer.
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If it wasn't for the supernatural world full of magic, Bright would be just a generic film about cops fighting criminal gangs that also deals with racial issues. It's a pity that they didn't make exploit more the magical potential that hovered over this project. In terms of action and suspense, the film works, but on the other hand there are a lot of flat jokes that fizzle out as soon as they are uttered. The visuals are nice, and the soundtrack perfectly underscored the dirty streets setting, but I still felt that more could have been made of it.
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“We're not in a prophecy, okay? We're in a stolen Toyota." This enjoyable action crime comedy is set in a fantasy alternate reality and it's actually a good thing that the fantasy doesn't draw attention to itself that much, and it's still mostly about the story. Although I'm not saying that I wouldn't want to see the mounted police of centaurs in action or that I don't care more about the dragon circling over the city. But so what? Will Smith is excellent and I liked watching him again in the most proven acting position, and Ayer's direction is brisk and there's no time for any boredom. Admittedly, I'd like to explore that whole world, but on the other hand, it didn't seem unutilized to me like, say, in R.I.P.D. - luckily, it was much closer to Men in Black and Hellboy.
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Gallery (153)
Photo © Netflix
![Bright - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/310/162310671_65a983.jpg)
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