Directed by:
James GunnScreenplay:
James GunnCinematography:
Henry BrahamComposer:
John MurphyCast:
Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, David Dastmalchian, Daniela Melchior, Viola Davis, Peter Capaldi, Jai Courtney, Michael Rooker (more)VOD (4)
Plots(1)
Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin, and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them. (Warner Bros. UK)
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Reviews (15)
Yum, yum. This Suicide Squad adaptation was excellently done and yes, it’s all thanks to the errant director, James Gunn, whose brief dismissal from Disney was a real godsend for Warner Bros. The guy who phoned Gunn back then should get a fat bonus, a new Ferrari and a beach house too. The mission to the island of Corto Maltese is presented non-linearly (but still consistently) with dispassion, humor and with respect for the comic book original. The new team with just a few familiar faces is bristling with diverse characters (but I can do anything that they can!) and each of them gets their moment to shine. Harley plays the princess (flowers and all) and Idris as a replacement for Will ends up destroying him in a rough punch-up. John Cena rocks even with that toilet on his head and so I’m really looking forward to his solo series. But the heart of the movie is the King Shark and Ratcatcher 2 duo. It’s easy to make a man-eating shark in shorts into the cutest of them all - just give him the mentality of a two-year-old. I look forward to watching it again.
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Stick to your Gunn. It’s got a bit more balls and less heart than Guardians, the shotgun of gags is a little less polished, but DC finally has what it's been craving for years. A fun ride with pace and structure, where the characters don't look like a bunch of staged consumers of horse tranquilizers or hangers-on for crappy gags. Marvel should have guarded their gold better, but generally speaking, we all benefited from this. The Suicide Squad is a wild ride with an excellent last third and in which the charisma of Idris Elba and surprisingly Joel Kinnaman stand out. I say keep it up, though I honestly don't see how this fits into a universe that gave the world a lot of shit films.
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Quite a leap upward, even despite positive expectations, but I would still like to see a tighter result. I really enjoy James Gunn's playfulness with the Guardians of the Galaxy, and even when he chose a bunch of similar characters from the DC offering, I expected a completely new direction that would overturn the tendencies of the entire universe there. However, due to a problematic campaign and inadequately distinguishing itself from the unsuccessful first film, it did not succeed financially. The film itself is entertaining from beginning to end, intensely bombarding the viewer with one gag after another, sometimes so much that your head spins from the blood, swearing, and generally intense rating. Among the magical King Shark, the cameos used until the last second, or the untamed Harley, whom the script finally lifts to where she should have been in several movies, there are also many jokes that are unfinished, overly juvenile, or (and this is the most disappointing part) seen from a distance and generally delayed as a result. But still, I will forgive many things for the feeling that this is what team movies about outcasts should look like. Even at the cost of being more comedies than comic books and standing out in a completely specific direction. 70%
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This feature-length version of the Starro Attacks sketch from Robot Chicken is garnering rave reviews thanks to the fact that a big-budget comic-book movie has finally dispensed with both seriousness and sophistication and instead gone the route of juvenile trash (which was an essential characteristic of comic books for many decades before they were taken over by nerds who had the need to justify their childish obsessions by faking profundity). But on the other hand, compared to the unapologetic futility of the best and funniest comic-book movies like Batman: The Movie (1966), Superman IV: The Quest for Peace (1987) and Ghost Rider: Spirit of Vengeance (2011), the new Suicide Squad feels too forced and made-to-order – like products from The Asylum that try too hard to be camp, but can never elicit pure enthusiasm like pure trash can.
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It's nice to have a pleasant surprise once in a while, because while I was secretly hoping for a lot, I wasn't really expecting much. James Gunn, however, pulled it off much better than I would have guessed. His Suicide Squad is more colourful and wilder, which was more or less expected, except that my fears that too much freedom wouldn't suit him and the film would end up being nothing but bizarre mess were not borne out. Gunn knows when he can afford subtle bizarreness or creepiness, and when to surprise the viewer with an unexpected death or a scene so badass that you're a little embarrassed to laugh at it. But at the same time, his film also works in dramatic situations, and it's far from just an exhibition of more or less weird characters doing more or less weird things. The new crew is really good and the acting is really great (those who can't act know it and, ironically, can take advantage of it), the gradual building of relationships between the murderous sociopaths works unexpectedly well and Gunn isn't afraid to be surprisingly adult at times, only to knock it down a few minutes later with some harsh joke. Above all, though, the whole thing is incredibly fun. This is a good one.
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