Happy Death Day

I don’t understand the success of this teen would-be slasher flick. It starts out with an interesting concept involving the repetition of the day the female protagonist wakes up and is murdered, but it then develops into repetitive banality without the necessary build-up and with a surprise that doesn’t take it anywhere. I’m giving this a very weak third star only for Jessica Rothe’s picturesque face. (07/29/2020)

The American film Happy Death Day is a mainstream horror film, but I mean that in a good way. It's aimed at a wider audience because it's not particularly disgusting, and it has a story that captivates. The characters are also fine and you can relate to them and the finale is definitely worth it. The filmmakers made something really good with what they had in their hands. (03/23/2018)

Yeah. The idea is great, I fell in love with Jessica Rothe, the execution has a few weak spots, but I had quite a lot of fun and was always curious about what the next day would bring (and surprisingly, even the development of the relationship between Tree and Carter was good). The reveal of the villain comes from the screenwriting school of “it has to be someone”, but the film has earned my sympathies for its carefully dosed levity and also for holding together as a unique genre experiment... Beauty! 70% (02/28/2019)

A relaxed six-point mash-up of better and more-complete films, which is improved by Landon's thrilling directing, dynamic editing and properly crunchy "biotch" Jessica Rothe. On the other hand, the film is brought down by the second half, where screenplay can no longer rely on stolen ideas and has to give some point to the whole loop. At the same time, it starts going off the rails in all directions. But it’s good fun. A strong three stars. (11/01/2017)

If this had leaned more into horror comedy, it might have turned out better. While there are plenty of light-hearted scenes, the film often takes itself too seriously, and that's where it falls flat. The suspense doesn't work, and a bloodless slasher is unforgivable. The characters, including the protagonist, are incredibly unlikeable, and some dialogue scenes, especially the reunion between the daughter and her father, felt like I was watching a Lifetime TV movie. I love time loops, but it's a shame this horror film couldn't be more creative with the concept. Ultimately, it's just another disposable teen horror flick. The only upside is that they're already working on a sequel. PG-13 horror movies suck! (09/26/2018)