Directed by:
Sean BakerCinematography:
Alexis ZabéCast:
Bria Vinaite, Brooklynn Prince, Willem Dafoe, Valeria Cotto, Mela Murder, Christopher Rivera, Caleb Landry Jones, Macon Blair, Karren Karagulian, Sandy Kane (more)VOD (4)
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The Florida Project tells the story of a precocious six-year-old and her rag-tag group of close friends whose summer break is filled with childhood wonder, possibility and a sense of adventure, while their parents and the adults around them struggle with hard times. (Altitude Film Distribution)
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Reviews (9)
The Florida Project is based on the conflict between children’s perspective and that of adults, between two completely different worlds existing in parallel. Baker employed this conflict as the guiding element of the film’s narrative. The permeation of “adult” problems into the guileless reality of childhood creates dramatic tension, advances the plot and rhythmises the narrative. The micro-stories of adults mostly lie at the edge of interest, which corresponds to the dominant children’s point of view. However, we are sufficiently familiar with the adults’ problems to comprehend the characters’ motivations and the plot twists. ___ The stylisation of the picture also corresponds to the children’s point of view. Realistic scenes, in which the camerawork mimics the low-placed children’s view of the world in an effort to keep pace with the young actors, are interspersed with carefully composed static shots that with their colours are reminiscent of pop art. Bold colours, signs such as “Magic Castle”, “Futureland” and “Seven Dwarfs Ln.” and unusual locations transform the devastated surroundings of the amusement park into one big playground, as it is also perceived and used by the children, who have created their own magical world, which is not sustainable in the long run, and the larger the cracks that appear in it, the less the adults are able to keep their kids under the illusion that everything is going to be okay. ___ The energetic style of the film contrasts with the hopelessness of the situation in which the young female protagonist is trapped with her mother. Due to the intrusions of social drama into the magical children’s adventure, however, the film manages to avoid sentimentality, falseness and romanticisation of the characters’ misery. After all, that is not what Baker intended the film’s central them to be. He is rather particularly interested in the ability to adapt to a certain environment and the related building of one’s own magic kingdom as a means of self-preservation. ___ Instead of creating artificial dramas, Baker allows events to flow seemingly freely. However, minor misunderstandings are wrapped up in other events, separate episodes are composed in a layered form, and the story, adhering to the traditional three-act structure despite the seeming dramaturgical laxity, speeds inexorably toward the cathartic climax. The great final drama derives from a number of smaller conflicts that the narrative at least touched on previously. ___ The Florida Project manages to point out problems that need to be solved without overstating them or sugar-coating them with the small joys of life, or misusing them for emotional blackmail. This is a pleasantly matter-of-fact, compassionate and sincere approach, captivatingly magical and realistic, which, in addition to sorrow, also offers joy and arouses the desire to start doing something. 90%
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This is exactly the kind of movie I usually go for – a feel-good movie and a classic indie drama. So, based on the reception of The Florida Project, my expectations were high. Unfortunately, this just wasn’t my thing. Although I agree with the high number of positive reviews, watching it was mind-numbing for me. As a de facto documentary about stereotypical white trash, it works perfectly, but apart from the character of Willem Dafoe, there is not a single at least partially likable character that I could relate to, quite the contrary. The behavior of the central group of three screaming kids was driving me nuts, and the main character of the mother - a typical representative of the American white trash mentality "I am a total wreck, an incompetent loser, absolutely useless to society and it’s somebody else’s fault, not mine" – just plain irritated me. There might have been those who experienced some sort of a powerful catharsis after the ending, but personally, I only experienced the feeling of being pissed off. I rarely look at my watch to see how much time is left until the end - in this case, after a while, it was every 5 minutes.
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It didn’t sit well with me how the children told the story. It felt as if I packed a camera, flew to Florida, chose the motel closest to the airport in Orlando and sat there documenting what was happening around. I understand that was the intention of the movie but it simply wasn’t interesting to me.
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This film has incredibly accurate acting performances, where not only Willem Dafoe shows how great an actor he is, but especially the actors you don't know and can't know. The child actors are excellent, but the film is dominated by Bria Vinaite, who is incredibly accurate, disgusting, and to some extent pitiable. A well-chosen cast that was well directed.
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An excellent exploration of the lives of children whose parents are not exactly the most exemplary or affluent. Moonee, the little street urchin, was often up to mischief, but who could blame her when her mother lacked many virtues and deserved a good scolding herself. I enjoyed the colorfulness of the visuals and the energy of the narrative. An excellent match for those children's mischief. However, how Brooklynn Prince acted in the title role literally took my breath away. I ate it up, especially when she struck such a heartfelt melancholic note at the end. Throughout the film, I went through a range of feelings, from the universally negative to the joyful, and I kept wondering how this was all going to end. The finale itself, however, pleasantly surprised and moved me at the same time. I would also like to mention Willem Dafoe, who played the character of the morose caretaker Bobby with protective instincts to perfection. It gave the whole story a stamp of genuine humanity. (80%)
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Gallery (74)
Photo © Cre Film / June Pictures / Freestyle Picture Company
![The Florida Project - Photos - Valeria Cotto, Christopher Rivera, Brooklynn Prince](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/442/162442503_fbd40e.jpg)
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