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After being bitten by a radioactive spider, Brooklyn teen Miles Morales gets a crash course in web-slinging from his alternate-dimension counterparts. (Netflix)
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A flick packed with ideas in which one Spidey has a tight-fitting sweatpants cover his belly and the second is a complete pig for a change. When it comes to Spiderman’s adventures, the plot with parallel universes is nothing out of the ordinary, but the production is a whole category higher. In addition to planting a wealth of hidden references in the movie, Lord and Miller followed their comic-fan hearts and instinct for doling out emotions and action scenes. The animation is somewhere between digital and hand-drawn and, for the first time in a long time, I felt sorry for not watching it in 3D because it’s clear that the picture is unbelievably lively and ideal for that technology. I was expecting an easy-going kids’ movie and got the surprise of the year.
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An affectionate explosion of ideas obviously loving not just Spider-Man, but comics in general. The animation is very original, the stylization is often insane, but at the same time insanely impressive, and when you think nothing crazier can happen, it does. But what's most important from my point of view is that it's not just a comedy that’s off the rails. The film is just as powerful, if not stronger, in the quiet personal scenes in which emotions come to the forefront. It is, in short, an entertaining and truly great spectacle with a poignant dedication to creators Lee and Ditko. And I prefer not to know how many details I missed the first time.
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Comic book movies have, on the whole, felt like poor relations so far. And unfortunately, this was often the case with the best of the live-action and animated adaptations. Because they often didn't come close to the possibilities of comic book stories and their courage and creativity. Yet this time, Spider-Man: Into the Spider-Verse also reminded movie-goers of the possibilities of comic book narrative, which is excellent. And I'm not even talking about creativity in the animation.
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Comic-book movies are obsolete, unimaginative, completely the same, resting on its laurels, although often still, fortunately, they are entertaining enough. They seem to be becoming idle, where everybody in the industry is afraid to change anything, and everyone is doing almost exactly the same thing. And suddenly, surprisingly that a comic book with a big (not only) K, which shows where the genre would go, comes from Sony company (although thanks to the local energy it is more likely to arrive) with a playfulness, imaginativeness, originality and comic essence. However, even if it finds followers, it will hardly be overcome. However, he undoubtedly has shortcoming. Above all, it tries to be very emotional, but it doesn't always succeed. The bigger snag is that he's trying to catch all the spider hares in the world. As a result, both the negatives and most of the parallel Spideys are reprehensibly unused or outright in number, and the whole thing is a bit overpaid (but this is true of everything under the auspices of the Lord / Miller duo). Even so, it is clearly the best superhero comic book since the Big Six.
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I was skeptical about this film and I was most worried about the formal aspect, which is not exactly dazzling, but in the end I had an unexpectedly pleasant time and the visuals didn't bother me that much (except for Kingpin, who looked terrible). It's got pace, a nice soundtrack, occasionally the humour works and there's a twist. I was a bit annoyed by the Japanese girl and the pig, they seemed a bit over the line, but it was bearable. I was expecting 2*, in the end a decent 4*. 75%
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Photo © Sony Pictures Animation
![Spider-Man: Into the Spider-Verse - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/892/162892216_a9b09e.jpg)
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