Directed by:
Chad StahelskiCinematography:
Dan LaustsenCast:
Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Tobias Segal, Anjelica Huston, Saïd Taghmaoui (more)VOD (3)
Plots(1)
John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn. (Lionsgate US)
Videos (15)
Reviews (13)
I was going to write “epic conclusion to the action trilogy”, but they’ve announced a 4th installment yesterday, so this is just a solid sequel that action-wise represents the best the US has offered in the last few years. A big improvement is that the new Wick has picked up some great reinforcements from Asia (Cecep and Ruhian from The Raid) delight also the hilarious Mark Dacascos and the perfectly trained Halle Berry. Visually, John Wick 3 is brilliant. The graceful styling and luxury comes through in every frame, and since I care enough about the aesthetic, I enjoyed the pleasantly fancy sets. The action is of course perfect in the context of an American production (clear cinematography, minimal editing, lots of creative ideas and decent choreography), at times you could feel that Keanu Reeves wasn't keeping up, especially against Cecep and Ruhian you could see that it was a bit too rehearsed (Jason Statham would probably have fought better here), but there are other interesting elements: the library, the sharp dogs in Istanbul, the uncompromising scene in the stable with the horse, the motorbikes and katanas, where they took inspiration from South Korea's The Villainess. Outside of the action, the pace is slower, but it doesn't significantly matter. A decent ride and without a doubt a clear cinematic must-see. 85%.
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Third time's the charm for John Wick, and he’s back with a vengeance. The action is as over-the-top as ever, with neon lighting up even the bathroom stalls. It's pure style from start to finish, packed with relentless action and an incredibly pissed-off John who's managed to anger literally everyone. Sure, the story might be doing a triple axel in terms of complexity, but who cares? It's all about the fun — especially when there are dogs involved.
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I wasn't entirely happy with the second film, but the third one made up for it. John Wick is moving forward, not in the sense that he's killing more people (although he might be doing that too), but director Chad Stahelski and Keanu Reeves have figured out an awful lot of unorthodox ways to do the killing on screen. Whereas last time it was mostly shoot-outs, this time around it relies more on contact fights, sharp weapons, and what I'd call a "four-legged arsenal." And it's great! Each action scene is different than the last. There's a shootout, then there's a motorcycle chase, a big vs. small or small vs. much smaller fight, and they manage to squeeze the absolute most out of all the action moments. Within the first half hour, the John Wick 3 does so many things that would last most action movie directors their entire careers. A big plus this time around is the presence of really strong supporting characters, whether they're on Wick's side or at his throat. While Stahelski continues to expand the world and mythology and I continue to feel that it's not entirely necessary, at the same time, it doesn't feel as forced as last time and given the qualitative and indeed quantitative shift in the action, I'm happy to forgive him for that. I'm glad that the people responsible for this franchise clearly haven't run out of ideas yet.
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For me, two things are central to a film: the ideas and the atmosphere. And John Wick 3 has both to spare. During the New York scenes, I felt like Blade Runner had spawned a baby with frenetic Hard Boiled-type action. I really haven't seen such a beautifully lit, atmospheric, visually rich action set-pieces in a long time, so brimming with ideas in the contact fight scenes, and yet so fantastically scored that you can feel every punch and hear the difference when Jonathan fires the Magnum and then switches to the shotgun with its typical hollow sounds. And once again I must repeat the key word – ideas!! Nowhere else, in any other film, have I seen such inventive use of horse power, in no other film have I seen such a good knife fight scene (perhaps only the kitchen scene in Evans's The Raid 2 could compete with this) and at the same time I congratulate the dog trainers, the ones who performed there are to be applauded at length. And you know, I was expecting the plot to be an weak tea, but even in that respect it made sense and the mythology, with its laws and rules that can't be broken, has something to it and I enjoy it. And Keanu Reeves? I admire his shape at 55 years old, I prefer to take the elevator when I need to get to the 2nd floor, and here he is doing physically demanding moves like on a treadmill, and he's 8 years older :o) I'm looking forward to #4, here with him!
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This episode has a brutal ramp-up. Much like the second film, it churns out its top moments in the first few minutes, delivering a heady experience for action flick fans. The fight with the giant in the library, and the climactic sequence with the knives are the highlights and the ultimate reference of the genre for Hollywood. The only thing that compares to Vick in the female category is Charlize Theron on the stairs in Atomic Blonde, and The Raid, which is directed by a similarly enthusiastic action fanboy. Unfortunately, after Casablanca, the film tilts into a sort of arcade concept with increasingly intense fights, which, while visually imaginative and well done, lose pace and become a bit monotonous. There’s a great cameo for action lovers and, of course, the amazing work of the stunt team, but it would work better as a compilation of scenes than a film as a whole. For non-fans, it’s an ordeal, because if you close your eyes for five minutes, you won’t miss anything. The second film was less flashy, but more consistent with a more solid framing of the story and well reined. John Wick 3, on the other hand, is clearly the furthest along technically and in terms of action concept, but also the most off the rails. Maybe it wanted to be like The Raid 2, but they forgot about the story.
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