Mandy

Of course… who else should star in this movie if not Nicolas Cage. He is currently the only Hollywood actor who turned acting into a completely extravagant experience. If he is in pain, physically or mentally, you’ll simply feel it too. And since he keeps appearing in films which are outside the norm, you can count on Nicolas Cage being in complete mental and physical pain. When it came to the execution of the movie, I was quite upset. The first half was mostly for show. The director played with purple filters and half the time I couldn’t even see what was going on in a scene. But the important thing is that it is glamorous. The second half of the movie was hardcore, though. That’s actually when the dark side of Nicolas comes to life together in a surreal ride full of such shit you won’t believe your eyes. An unbelievable crazy trip. Again, one of those films that try to shock you creatively and it is pretty successful in doing that. (11/03/2018)

Nicolas Cage is a bit like fire - a good servant, but a bad master. He needs someone who can use him properly and direct his specific acting into the right positions - and Panos Cosmatos is obviously that person, or at least he succeeded in this film. I wouldn't be surprised if this role was tailored for Cage. Mandy appeals only to connoisseurs, it's not for the average viewer. The film has a strange pace and is quite stretched out, so either you tune into its style or you will suffer through it like an animal. Above all, I would like to highlight the drug-induced transcendent atmosphere, in which the whole film unfolds - it's hard to say in which reality the story takes place, but that probably doesn't matter at all. The most distinctive element of the film is of course the one and only Nic Cage. In the first half, he doesn't get much space, but in the second half, it's purely under his direction. The drugged-out Cage sets an incredible pace and is a badass like never before. Everything is emphasized by brutally intense and over-the-top dialogues. Mandy is an artistically directed grindhouse film for a specific audience with cult potential. (07/04/2018)

Weird. Very. While I liked the colorful hypnotic atmosphere supported by Jóhannsson's unsettling music, With its mysticism, overwrought monologues and dialogue, excessive running time, and the wait for a final showdown that was ultimately the most boring scene of the entire film, I was ultimately disappointed by Mandy. And I hadn't even expected anything from it in the first place. (07/30/2020)

It's like Jodorowsky fathered a child with Panos's daddy George. Definitely a distinctive film, visually impressive, from a man with a vision. Interesting color palette, functionally applied filters, but at least in the first half (which many here criticize, but I liked it better) brimming with atmosphere and remarkable visual ideas, all underscored by a unique soundtrack. The second half is grindhouse carnage, uncompromisingly straightforward and simple, but still retaining a visual identity. The half-deranged Cage is a casting triumph, Riseborough has something magical in his intriguing, deadpan face, and Roache is a charismatic villain but also a woefully comic figure, and this is not an easy thing to grasp as an actor. Mandy is a remarkable film, it's not for everyone, certainly not for the mainstream, but it beats with the heart of a filmmaker who’s not bland and loves to tell simple stories through atmospheric imagery. PS: I enjoyed it even more on a second screening. This film is so out of step with 99% of filmmaking, and yet it's not stupid; hats off to it. I'm not surprised by the worldwide enthusiastic critical response (currently 8.2 on Metacritic) and I’m happy for Cosmatos from the bottom of my heart. (09/15/2018)

Mandy is a hallucinogenic grindhouse revenge bloodbath, at the beginning of which there is a love story engulfed by cosmic darkness. It is surprisingly compelling and conceptually cohesive, given the cheap filters and B-movie budget. It is also pleasantly refreshing in the context of the artsy festival mood. The highlight, of course, is Cage drinking in white shorts and an orange t-shirt with a tiger emblazoned on it. [Cannes] (05/14/2018)