The Good, the Bad and the Ugly

An interesting story, straightforward and perfectly resolved. Morricene's catchy melody got under my skin again, Clint had charisma to spare in his younger days and Eli Wallach as the bad guy you actually root for is great. But it lacked something, something very little, to be perfect and I couldn't help comparing it to the brilliant Once Upon a Time in the West. The latter is a flawless five-star affair, this one has a few lapses in logic and especially a strange plot insert with armies fighting over a bridge, where Eastwood and Wallach went about as if they could not die. Otherwise, no complaints. (08/30/2004)

Clint Eastwood and Eli Wallach... Add Van Cleef's villain, a first-rate bastard, and you've almost got everything. Which scene from this western of all westerns to pick as the best? For me it is definitely Tuco's running between the graves accompanied by the song “The Ecstasy of Gold".... Something like this could not be made (and composed) by man, but rather by God. The best western of all time and perhaps the second best film of all time after Lawrence of Arabia.__P.S. "Comedy" is noticeably missing from the genres here. (09/18/2007)

It’s a high-quality western that leaves most of its competition in the dust. The main trio of actors shines, and I enjoyed their verbal showdowns. It’s also accompanied by the absolutely excellent musical score by Ennio Morricone. However, it still remains somewhat overshadowed by its younger sibling, Once Upon a Time in the West, as I find that film to have added value in its story (don’t stone me... it’s just my opinion). But back to this film. Clint Eastwood is, as always, a guarantee of quality; his gaze was made for these types of roles. And Eli Wallach, alongside him, was equally impressive; I enjoyed watching him try to outwit everyone around him. The setting during the Civil War added an extra layer of interest to the film. So yes, it’s a technically flawless film, but for me, it’s slightly hindered by the more straightforward story of searching for buried treasure. I give it a 7.5/10. (09/12/2023)

Leone's typically boundless western genius is imbued with a unique composition of shots, a phenomenal soundtrack and completely filigree work with dynamics and tension, which culminates in the final triple duel. The Good, the Bad and the Ugly has all the essential features of a spaghetti western, including the occasional drag and epic breadth that borders on madness. But this gold digger road movie also enchants through its slow pace, with the gourmet care through which it clings to detail, and the delicate mosaic. In my opinion, one of the best directed and set-to-music films of all time. A magical affair. (06/04/2007)

I don't feel competent to claim that The Good, the Bad and the Ugly is the best film of its genre. I haven't seen that many westerns and, to be honest, modern anti-westerns like Dead Man or Dances with Wolves resonate with me more. Nevertheless, it is definitely a very entertaining and high-quality film. I don't really care for the western genre, and I have given five stars only to the absolute minimum of these films. The reason for the popularity of this film lies in the fact that Leone managed to make a film that appeals to everyone, which is rather rare in cinema. It is adventurous, thrilling, and very clever, as well as conveying an obvious anti-war message. It combines classic genre conventions with modern filmmaking elements, a traditionally excellent soundtrack, camera tricks, and occasional ventures into purely artistic waters. In certain moments, the film forgets itself and succumbs to genre clichés, such as the shootout with the Tuco's gang, where we see a traditional scene from B-movie westerns, where the hidden rifle shooter misses the gunslinger who shoots him from an unfavorable position with a quick draw. However, due to the overall lighthearted atmosphere, these few minor missteps easily fade away. Leone adeptly alternates the pace, combining genuinely humorous scenes with tragic ones, and, above all, relies on top-notch casting. The director always managed to choose actors who perfectly suited their roles, whether it was Clint Eastwood, Lee Van Cleef, or Eli Wallach. Overall impression: 90%. (03/25/2010)