Benedetta

  • France Benedetta (more)
Trailer 6

Plots(1)

A 17th-century nun in Italy suffers from disturbing religious and erotic visions. She is assisted by a companion, and the relationship between the two women develops into a romantic love affair. (IFC Films)

Videos (6)

Trailer 6

Reviews (9)

Necrotongue 

all reviews of this user

English A film about an Italian nun filmed by the French directed by a Dutchman — now that's quite the pedigree :-) While this movie doesn't quite reach the heights of my favorite director's best works, mainly due to its somewhat lacking narrative, it still has its merits. Towards the end, Paul Verhoeven may have gone a tad overboard, resulting in a finale with gripping action but a loss of historical credibility. One undeniable positive, though, is the director's skillful portrayal of the beauty of the female form — Virginia Efira could serve as a model for sculptures and many younger women might secretly envy her. However, this wasn't exactly an erotic thriller, so it did feel a bit drawn out for me at times. Initially, I was leaning towards a solid three-star rating, but the film's spotlight on the hypocrisy within the Catholic Church nudges it up to a weaker four. ()

EvilPhoEniX 

all reviews of this user

English Lesbian nunspoitation by Verhoeven set in a 17th century Tuscan monastery. Verhoeven has made an unconventional erotic religious drama that is not afraid of nudity and violence. The actress who plays Benedetta, Virginie Efira, looks very good at 45, and her full frontal nude will please many a male eye, but the rebellious Daphne Patakia looks good too – she is the hottest nun I have ever seen. The combination of sinful nuns and a corrupt Christian institution works surprisingly well. The historical period where Europe was gripped by the Plague, the very intense and exciting lesbian sex scenes, the Stigmata vignettes, the great nightmares of Benedetta (the snake scene or the brutal killing of the knights, surprised by the raw gore). I liked the harsh rules the nuns had to follow and the intense finale is solid, with a cool trial, torture and chaos of the townspeople. The pacing is slower in places, but the film managed to keep my attention thanks to the attractive interludes. Definitely a noteworthy affair. ()

Ads

Kaka 

all reviews of this user

English A harrowing two hours. Basic Instinct was also bold, unpredictable and full of eroticism, but it was made by a filmmaker at the peak of his powers, not an old man who obviously has a head full of shit even in his 80s and is trying his best to translate it to the screen in the most controversial style possible, but unfortunately that's about it. ()

Goldbeater 

all reviews of this user

English Somehow I feel that since Paul Verhoeven turned eighty, he now has no need to please anyone, and so he just went and made a completely self-indulgent new movie. I think that the end result is a total nunsploitation B-movie rather than an A-grade art movie. The director once again shows off his great ability to be provocative and his black sense of humor. I am still a huge fan and therefore probably going to watch anything he makes, however, I know that Benedetta is definitely not going to be a movie for everyone. [KVIFF 2021] ()

Othello 

all reviews of this user

English Judging by the reviews and comments, Verhoeven has a specific charm through which he can surprise the viewer with every film he makes by how he deconstructs something, even though he's basically been doing nothing else his whole life. Whatever he touches – genre, society, period, zeitgeist, character studies, or the subject matter – he dissects down to the flesh, laughs nihilistically, drops the mic, and heads off for some other revision. Benedetta is an interesting blend of his earlier Flesh+Blood, (an exploitation of a medieval era full of filthy bandits, plagues, degenerate church representatives, and naked harlots) Showgirls/Keetje Tippel (an ambitious woman uses her body to rise on the backs of others in an emeritus, ossified world) and Basic Instinct (ambivalence and uncertainty about where the truth lies and whether it should be sought out is maintained until the very end). And I was intrigued by the extent to which it treats the theme of religious ecstasy as an erotic experience in a similar way to Besson's The Messenger: The Story of Joan of Arc. Verhoeven's last two films under French productions have been marked by clearly the best scripts he's ever had, but unfortunately also the ugliest direction. Benedetta often looks like footage from a musical, looking terribly staged and artificial. It's funny, then, that the erotic passages work best in this framework, as they're reminiscent of the usual porn videos you have open on the next tab. ()

Gallery (37)