Directed by:
Jeff FowlerCinematography:
Stephen F. WindonComposer:
Tom HolkenborgCast:
Ben Schwartz, James Marsden, Jim Carrey, Tika Sumpter, Natasha Rothwell, Adam Pally, Lee Majdoub, Neal McDonough, Tom Butler, Frank Charles Turner (more)VOD (5)
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Based on the global blockbuster videogame franchise from Sega, Sonic The Hedgehog tells the story of the world’s speediest hedgehog as he embraces his new home on Earth. In this live-action adventure comedy, Sonic and his new best friend Tom team up to defend the planet from the evil genius Dr. Robotnik and his plans for world domination. (Paramount Pictures)
(more)Reviews (6)
Entertaining, uncomplicated baloney based on a cartoon my sister and I used to watch on TV when we were kids. Sonic is great, the Donut Lord is also fine (even though it is obvious that Marsden had a problem speaking with nobody), but Carrey’s Robotnik is really classy. Jim’s escapades improve the movie slightly in my eyes. Sonic’s dance in the (EVIL) cabin, his yelling and contempt for people and basically everything apart from his drones (and now with COVID-19, Amazon will deliver even faster than we dreamed) are scenes worth watching more than once. "Do you think I’m an idiot? Of course I’ll have your latte. You make a great latte!"
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Sonic the Hedgehog, the fastest creature in the universe, is hiding on Earth. Or rather, he was hiding, because after one screw-up, he's on the radar and both the military and the mad inventor Robotnik are after him. So Sonic and his human buddy Tom have to figure a way out. Based on the famous computer game franchise, the feature-length adventure is inoffensive and relaxed family entertainment, but it tries too hard to stick to the beaten track, and is ultimately set apart from the rest by the hero himself, who is incredibly likeable.
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This outsider turned out to be a nice hit, and a success financially as well. Surprisingly, the film is highly entertaining and family friendly, and you will take an instant liking to the lovable Sonic the Hedgehog and James Marsden as well. Jim Carrey, on the other hand, makes his big comeback and delivers exactly why we love him as an actor. The humour is apt, the visuals are decent and the emotions work, so for me a pleasant surprise. I had fun. Story***, Action***, Humor****, Violence>No, Entertainment****,Music***. 7/10.
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Yes, I too am glad that Sonic ultimately looks how he looks and not how he should have looked. However, the film's main trump card is not the blue digital hedgehog, but a completely non-digital and completely fabulous Jim Carrey. The rest of Sonic the Hedgehog certainly won't offend anyone (perhaps if I hadn't seen X-Men: Days of Future Past, that bar scene would have excited me and wouldn't seem stolen to me), but it's nothing spectacular, either. Buy you know who is spectacular? Jim Carrey.
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Sonic the Hedgehog is better directed, more imaginative and has slightly more action than, for example, the live-action Garfield, Yogi Bear and Stuart Little, but otherwise I don’t see any significant difference. It’s definitely okay for fans of the video game and kids under the age of ten, but otherwise Sonic the Hedgehog is just a very mediocre family spectacle that in places goes a little too far in underestimating the viewer’s intelligence. The hyper-stylized Jim Carrey is fine just as long as he doesn’t slip over the edge into awkwardness. It’s remarkable how often the filmmakers use Sonic’s ability to run fast when it suits them for setting up a gag, but almost never when it would be appropriate in terms of practical solutions to the problematic situations in which the protagonists find themselves. It’s even more fortunate that the outcry from fans on the internet resulted in a new design of Sonic, because if they had stuck with the original one, we would have wound up with a new Howard the Duck. So maybe those fans at least went to see it at the cinema.
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Sonic the Hedgehog is a brisk film with a very likable main character, a classically (sort of) overacting Jim Carrey and a few funny moments, mainly provided by Sonic and the verbose Natasha Rothwell. The film flows along nicely in the cinema, and even though you basically know from the beginning how it's all going to turn out, it still doesn't get boring thanks to its lively pace. There were two scenes where I couldn't help but think of Quicksilver from the X-Men, and that's meant in a good way. A dynamically shot one-off that doesn't surprise but doesn't offend either.
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