Directed by:
Leigh WhannellScreenplay:
Leigh WhannellCinematography:
Stefan DuscioComposer:
Jed PalmerCast:
Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Simon Maiden, Richard Cawthorne, Christopher Kirby (more)VOD (4)
Plots(1)
In a utopian near-future when technology controls everything, a technophobe avenges his wife’s murder and his own paralysis-causing injury with the help of an experimental computer chip implant – STEM – that turns out to have a mind of its own. (MUBI)
Videos (2)
Reviews (13)
Actually, I have no words. Upgrade is one hell of a cyber punk movie. A clever hard-core sci-fi, with the actor in the leading role who from now on should appear only in the best blockbusters (and I don't mind that he is an Australian copy of Thomas Hardy, known from the series Quarry) and especially with the story which can at any moment explode into a rollercoaster of emotions that the audience cannot handle all no matter how hard they try. One more exciting aspect is that you cannot expect or predict this explosion. I have not seen such a well-written and well-filmed sci-fi with such a good atmosphere and music in a long time.
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What’s the best method for revenge? Connect the internal automaton and bypass the conscience. A masterful work both visually and acoustically, which in the first half sometimes feels like a mechanical prank, but in the end removes all doubts. Bloody and realistic cyberpunk cleverly working with a minimalist design and distorted filming and a soundtrack that awakens memories of Deus Ex in me ... I'm installing it! Ex Machina without unnecessary feeling of being too smart, a good mixture of B-movie momentum and A-movie solutions.
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With its spectacularly upgraded vengeance drama theme, Upgrade tells a story as simple as old Van
Damme karate flicks, but with a futuristic dimension more reminiscent of – due to its lower budget –
the original Terminator. This action sci-fi movie is innovative with some original details and has slight
cult potential. Whannell surprised us. Even Wan himself couldn’t have shot it better.
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John Wick meets Robocop and Black Mirror. I had fun and it didn't seem stupid to me at all. Quite the contrary. The world of the future surprised me with its thoughtfulness, and I was excited by all imaginative implants, especially the weapon implants. Although... there was no time for any major explaining or pausing over the action of the protagonist, the plot is not superb, everything is resolved briskly on the march, and thanks to the direction it has style and thanks to the script, it makes sense. Last time I was this pleased was when I watched District 9.
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This is one of those films where the plausible psychological evolution of the main character, following a brutal attack and the loss of his beloved wife, is completely brushed aside and subordinated to him being able to joke and be tough, immediately after getting “superpowers”. To be clear, in this particular case it didn’t bother me at all, but it’s worth noting in case someone went to this film expecting some serious technological sci-fi. Upgrade is nothing but a light-weight B-movie. A quality and proud B-movie with a lot of nice ideas, plenty of original tricks and a confident technical aspect. I would compare it a little to the new Dredd, but as an experience, Upgrade is a notch higher. What’s fun is that many of the things that seem silly while watching make a lot more sense when you understand the points. On the other hand, I’m not quite sure whether everything that makes sense while watching, still make sense in hindsight. In any case, I’m happy that, after five years, Whannell has written something interesting again, and happier still that he found a director.
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