Directed by:
Chad StahelskiScreenplay:
Derek KolstadCinematography:
Dan LaustsenCast:
Keanu Reeves, Riccardo Scamarcio, Ian McShane, Ruby Rose, Common, Claudia Gerini, Lance Reddick, Laurence Fishburne, Tobias Segal, John Leguizamo (more)VOD (3)
Plots(1)
In this next chapter following the 2014 hit, legendary hitman John Wick (Keanu Reeves) is forced back out of retirement by a former associate plotting to seize control of a shadowy international assassins' guild. Bound by a blood oath to help him, John travels to Rome where he squares off against some of the world's deadliest killers. (Lionsgate US)
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Reviews (13)
The first one was fine, but Stahelski was too much of a stuntman and some elementary elements were missing. The sequel is better, masculine, palpably raw and hard, at the same time filmed for a relative pittance and yet stylish, like a TV commercial for a new model of Mercedes-Benz. The scenes in Italy or in the glass maze speak for themselves. It also works as a full-fledged action film whose mythology is a level up from the first installment, the plot is more layered and the shootouts even juicier, and the action itself is an element that is brought to perfection. Rarely will you see such combos, so much shooting, and most importantly, such incredibly clear, and manly powerfully filmed fight scenes, many of them without editing or camera movement. So it's clear that Keanu Reeves worked his ass off, but more importantly, he's living it and loving it. The cast is almost unquestionably evenly distributed, with great cameos by Franco Nero, Peter Stormare and Laurence Fishburn, and a brilliant Common in the role of a tough bodyguard. In general, the fights between Reeves and Common are some of the best ever filmed, only The Raid can compete. If it continues to build up like this, we have a lot to look forward to in the third chapter.
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Had the best scene been at the end and not in the first half, John Wick 2 would have been the best action movie ever, at
least for me (to this day, that title belongs to Face/Off). The set design, editing and camerawork capturing all of the
events in Rome are the pinnacle of the genre, overshadowing the best of John Woo. The visual elegance of the original
film universe and its dark and gritty tone. The disarming cadence of luxuriously edited and properly brutal action. Dignity
and detailed portrayals of all characters. Fatal, neo-noir Keanu Reeves, who seems impossible to dislike, both as an actor and as
a person. This movie was a perfect fit for me; I enjoyed every sequence of shots, whereas in other action thrillers, I
barely get to enjoy the climax. A rare treat I will be watching on repeat.
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At first, the second John Wick is pretty much the same as the first, but that's not a bad thing, and as time goes on (especially during the riveting part set in Italy) it becomes clear that this film really is bigger and in some ways even more imaginative than its older brother. I really liked the more elaborate world of all the killers, the big hunt for John Wick and the mirror finale that reminded me of The Man with the Golden Gun. I believed in Keanu Reeves with everything, and his castmates (the charmingly badass Ruby Rose) certainly didn't get put to shame. I'd quite like it if Chad Stahelski did a Bond movie in the future, because he's as good at action scenes as he is at non-action ones, and the result would definitely be interesting.
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This sequel is visually more finely honed. It doesn’t suffer the usual pitfalls of sequels, while it enjoys all of the advantages. There’s more action, at least equally good, ingenious and surprising, even though it has lost the moment of surprise that part 1 had. The gloomy feeling remains, the creators not allowing themselves to be sucked into mistakes. Reeves enjoys every minute in this role. Lots of powerful moments… I want to visit Rome this year.
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An escalating copy of the non-functional first one, in which most of the participants make fools of themselves and the local reviews make a fool out of me. For me, a bunch of slick head shots do not make for an unforgettable action flick, and if it weren't for the unusual initial destruction of the car, the only scene where Wick maintains the position of an honest worker, I would rate it even lower. Derek Kolstad has made too many foolish decisions this time, cramming bits of Kingsman into the mythology and having the main characters recite ridiculously trivial life mottos. The peak of all the confusion comes with Laurence Fishburne, whose performance and the entire subplot make a bold leap into the toilet. The rescue comes at the very end, which finally justifies the long-standing lack of compromise, but an open ending is a risk that is just begging for a proper punch in the face in the event a sequel is never made.
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