Directed by:
Greta GerwigScreenplay:
Greta GerwigCinematography:
Yorick Le SauxComposer:
Alexandre DesplatCast:
Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel (more)VOD (4)
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The story unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life. In this take, the beloved story of the March sisters — four young women each determined to live life on her own terms — is both timeless and timely. (Sony Pictures)
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Reviews (11)
Beautiful film, really beautiful. There are so many moments in it that other filmmakers would use in other films to try at least to move me or completely blow me away, but Greta Gerwig doesn't need to. Everything in the Marches' story was meant to have an effect on me, and yet I still had that satisfied feeling. It wasn't overly melancholy, it wasn't extra sad, it wasn't tragic. It was just beautiful. As for the cast, as expected, Saoirse Ronan absolutely reigns and is once again amazing in every minute, however I was surprised by Emma Watson, who made a real impression on me for perhaps the first time since Harry Potter.
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Greta Gerwig is a truly amazing narrator. Though the division of the plot into emotionally connected episodes prevented me from living the story of the characters as intensively and clearly as I would have wanted given the scope and the protagonists, it is actually thanks to that episodic arrangement and the time jumps that this intellectually demanding material never gets boring or suffers from narrative sterility. I must admit that at least once I didn’t know whom they were talking about, but otherwise I was thrilled with the natural heroines and their personal vicissitudes, the tasteful humour, the always brilliant Alexandre Desplat and the precise direction, which perfectly leads not only the actors, but also the tempo and the changes in character and motivational perspectives. And this is not about men as evil rulers of the world, it’s about the desire for self-expression in a world where men have the last word and are as indispensable as their own dreams and families. A funny and distinctive script, a wonderful Saoirse Ronan and Florence Pugh. 85%
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This story of four sisters coming of age in the mid-nineteenth century and figuring out what they want out of life is surprisingly relevant in the twenty-first century. In it, Greta Gerwig gives space to the actresses in particular, who certainly don't let her down, and she handles the touching and funny scenes with complete ease. An honest and entertaining modern adaptation of a literary classic. It's just a pity that it is perhaps unnecessarily cold and aloof in its first half.
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I went to the cinema to see the advanced premiere of Little Women and I can honestly say that I couldn't have picked a better movie for the last day of the year. I’m not familiar with the book, but I've always loved historical costume dramas, and when I saw everyone who was going to be in this film, I couldn't wait to see it on the big screen. Little Women impresses with a strong story that may smack a little of romance at times, but it is so believably written and above all superbly acted that you can safely ignore that and lets yourself ride the waves of a story about four sisters who couldn't be more different. All the actors played their parts to perfection and in a convincing manner, whether they were main or supporting roles. In addition, I must not forget the beautiful sets, the costumes and Alexandre Desplat's unmistakable music. Little Women mixes elements of drama, romance and humour in an artful and unforced way. I applaud and give it both thumbs up!
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I'll be honest, I was expecting a movie that might change my life. But even though I thought it was a nice flick and I liked the girls, it didn't happen. There is no need to debate the performances, they are so natural and convincing that I completely forgot about all the actresses' previous roles and for a while I just saw them as Little Women. Slightly less perfect, in my opinion, was the script. It made it difficult for me to orient myself in time, so I gave up after a while and instead of enjoying the story I just enjoyed watching the atmosphere, the costumes, and basically a female world where the male element intrudes a little less than we’re used to.
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