Directed by:
Paul GreengrassScreenplay:
Paul GreengrassCinematography:
Pål Ulvik RoksethComposer:
Sune MartinCast:
Jonas Strand Gravli, Thorbjørn Harr, Anders Danielsen Lie, Seda Witt, Lars Arentz-Hansen, Jon Øigarden, Anneke von der Lippe, Øystein Martinsen, Maria Bock (more)VOD (1)
Plots(1)
Paul Greengrass tells the true story of the aftermath of Norway’s deadliest terrorist attack. On 22 July 2011, 77 people were killed when a far-right extremist detonated a car bomb in Oslo before carrying out a mass shooting at a leadership camp for teens. 22 July uses the lens of one survivor’s physical and emotional journey to portray the country’s path to healing and reconciliation. (Venice International Film Festival)
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Reviews (10)
22 July is a smart and suggestive portrayal of an awful human act that attacks the roots of democracy, but that also shows the madness of those who violently try to undermine it. Though it pushes the viewer to only one correct interpretation, its complex approach forces you to think about where humankind is heading and all of what we are capable of. Despite being impossible to get into the minds of the characters, this is an intense experience that, through the traumatising initial disaster, shows an unflattering face of a Europe that today is divided and living in fear. This is despite the fact that it has an inevitable tendency to generalize problems.
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Greengrass’s adaptation is as compelling as Seierstad's book. It is a pity, perhaps, only the absence of Norwegian, the fragmentation of individual motives and themes, or the cutting of the opening third of the book about Breivik himself to focus only on the procedural passage of the attack and the trial.
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At first I wondered why someone had this story filmed twice, in addition twice in the same year ... well, and then I read the director’s name and it became clear to me – Paul Greengrass. A theme literally made for him. In addition, I would perhaps rate the film even better if I did not see the original one, which was sufficiently shocking and, especially in filmmaking respect, absolutely excellent. But I thought I would try this one, too, out of my respect for this director. And I have a few complaints. Especially about the attack itself, which was done very sloppily. But as it forms only about a third of the film, the other two thirds are able to properly engage the viewer. It milks the audience’s emotions shamelessly, as it shows not only Breivik’s thought processes, which shock you every time he appears on the screen, but alsothe youths who survived his rampage, but didn’t live through it unscathed. It’s definitely some food for thought, but the best thing is the ending, where the victims’ fates are closed by a court proceedings. It could have been about a half an hour shorter, but on the other hand it’s a classic Greengrass, so everything, including the camera, feels so natural that you will feel like the happenings depicted affected you personally.
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Paul Greengrass is a master of immersive atmosphere and has reaffirmed it with this film. If someone seems to find the scene of the absolutely crazy massacre rushed and non-captivating, I feel really sorry for them (and it may well be the founder of FilmBooster), because I haven't seen anything more repulsive in a long time. Besides Greengrass, the representative of Breivik, from whom radiates unadulterated fear, does his share, and the longer he is in the film and when he turns into an exquisite psychopath from an originally silent character, then that fear is even greater. In addition to Breivik, we also see the consequences of his actions, which one of the families must deal with, we will also get to know his attorney and feel the pressure on the Prime Minister of Norway... It seems to me that the film really had everything. I can't say I enjoyed watching it, but it was one of those memorable experiences. I guess like... Well yes, probably like Greengrass' United 93.
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In the end it turned out that holding off watching it for fear of being completely shredded when it was over was altogether unnecessary. This time Paul Greengrass didn’t focus so much on the brutality of the attack as on the victims coming to terms with what happened. And also on the absurdity of how the attacker is treated. That's probably what hurt the most in the end. As a drama, it was good, everyone tried hard, but in the end it struck me – I don't know why – as rather superficial. 3.5 stars.
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