Die Hard with a Vengeance

"Simon's going to tell Lt. McClane what to do, and Lt. McClane is going to do it." Unlike the first two, Die Hard With a Vengeance isn’t set at Christmas time and, after Los Angeles and Washington, tries its luck in New York. The position of director was taken up again by the tried and tested maker of part one, John McTiernan and, instead of being cooped up in a skyscraper, this time we career around one of the largest cities in the USA. The story harks slightly back to part one, but in a completely different style than to what we were used to in previous Die Hards. Even Willis’ McClane is more like Joe Hallenbeck from The Last Boy Scout. And we also have Sam Jackson, who is excellent as McClane’s involuntary partner. Plus, the original dubbing on the VHS is almost as perfect as the dubbing of the cult Pulp Fiction and wisecracks are reeled out left right and center. (07/14/2006)

I enjoyed it just as much as the second one, mainly because we are returning to the events of the first movie. Jeremy Irons could easily be the film brother of Alan Rickman, both are excellent villains. The city, which is a much bigger playground, suits John and he knows how to maneuver here. Samuel L. Jackson is a good sidekick. (04/15/2014)

Riveting ride! I didn't believe that the Die Hard franchise could offer a better film than its original, but I was terribly mistaken, as this entertained me even more. The third installment returned to its roots and John McTiernan once again took the director's chair, which was definitely the right move. The film has no slow start, from the very beginning it sets an incredible pace that doesn't falter for the full two hours. Bruce Willis is still in top form and is successfully supported by Samuel L. Jackson, who unwillingly becomes his sidekick in the fight against terrorists. In previous films, we were used to seeing McClane mostly working solo, so it was a pleasant change to add a partner for him, especially when it's none other than the "Bad Motherfucker" Samuel L. Jackson. He is the main element that took it up a notch. The chemistry between McClane and Zeus works perfectly, both of them deliver one legendary line after another and even manage to solve some riddles or complete tasks to prevent bloodshed. Die Hard with a Vengeance I thoroughly enjoyed and I can't think of anything negative to write about it. Everything here works just as it should. (01/09/2020)

Die Hard with a Vengeance is the best action movie of all time. It is an absolute masterclass in camerawork, editing and narrative that was made long before everyone was drooling over these things in some Bourne movie. To wonder over the fact that the bad guys’ plans somehow work out too smoothly or that McClane's indestructibility makes him look like a superhero is akin to pondering the calorie count of Erhart cakes. This is pure filmmaking perfection, two hours packed with enough material for at least three movies and the essence of 1990s genre filmmaking turned up way past eleven. That’s not even to mention the fact that a film of such scope, with so many real New York locations imbued with action, could never be made again. Willis may have had a more essential part in The Last Boy Scout and a more nuanced performance in 12 Monkeys, but here he is given the ideal partner in Samuel L. Jackson to help polish his iconic damaged cop to archetypal perfection. And seeing it at the cinema on the big screen was a dream come true. (08/31/2021)

As a standalone film, Die Hard with a Vengeance is a solid watch, but as a proud continuation of an excellent series, it is disappointing. John McTiernan was unable to replicate the lightness of the first installment and failed to adapt to Renny Harlin's attempt to unleash pure action. He attempted to do so, but in the process turned McClane into a tough guy who drinks, curses, and bleeds, but he is not the same John from the first two films that the audience feared. From a certain point, I was just waiting for Simon to finally catch up to him and take care of him in a flashy way with "Yipee-ki-yay" on his lips. And when the finale came to an end, I just nodded, because the reckoning is filmed so coldly and almost unconcerned that it symbolically belongs to the entire movie. Still, Die Hard with a Vengeance cannot be condemned entirely. Samuel L. Jackson proved to be an excellent partner, and the pessimistic beginning with the grumpy main character is absolutely flawless. However, the basic problem stems from the fact that the scope of the events is once again expanded, this time disproportionately. To progress from a skyscraper to an airport is enticing, but from an airport to the entire city, the plot shatters into too many diverse variations, causing the viewer to lose sight of the main antagonist. In Jeremy Irons' cold-blooded performance he unfortunately becomes a mere talkative figure who cannot bring anything to a conclusion. But I will say it again – it is not a complete disappointment, and for one reason only. There is McClane, and therefore Bruce Willis is not absent. Just his "pissed-off face" alone keeps the rating from going any lower. (06/17/2007)