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Two fathers: Michael Sullivan, a hit man for the Irish mob in Depression-era Chicago; and Mr. John Rooney, Sullivan's boss and the man who raised him as a son. Two sons: Michael Sullivan, Jr. and Connor Rooney, each desperate to earn his father's favor. Jealousy and competition put them all on a collision course, ultimately bringing Sullivan's work into his private life and leading to the death of his beloved wife and youngest son, Peter. Now Michael Sullivan and his surviving son are set on a journey instigated by tragedy and fueled by revenge. (official distributor synopsis)

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Reviews (14)

novoten 

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English The best film of Sam Mendes and an absolute top in the gangster genre. The atypical casting of Hanks as a dark hero is an ideal counterpart to Newman's tragic boss, and his journey, fearlessly mowing down enemies led by perfectly slimy Law, is additionally captured by an amazing camera (see the unforgettable arrival in Chicago) and supported by impressive music. An underrated film. ()

Othello 

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English Consumed with sentiment, pathos, and seriousness until my monitor cracked. Mendes is still the devil, yes. Scenes like the final showdown are absolutely fabulous. I didn't mind the Hanks stuff either. However, overall, I don't like the combination of a gangster movie with a tragic drama about discovering a relationship with your son. As long as it stays within the confines of a mafia movie, it's a fantasy. However, once the film moves into the "I had a nightmare" "Do you want to talk about it?" stages, it's bad. Because that sentiment is a little bit tacky in this movie. ()

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gudaulin 

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English Based on the successful comic book series by Max Allan Collins. With his film American Beauty, Sam Mendes raised expectations among critics and fans to such a level that he couldn't meet them, no matter how hard he tried. From my perspective, after careful consideration, I prefer Road to Perdition. Sure, in terms of choosing the subject matter, it was an obvious safe bet, but there was also a calculation with American Beauty, albeit a more subtle one. Mendes's gangster film is a compact piece in every way, with perfect cinematography, a strong story, and charismatic characters. Comparing Road to Perdition with what I've seen in the past year, I have no choice but to increase my rating to five stars. Overall impression: 90%. ()

EvilPhoEniX 

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English I thought my taste was only oriented towards horror and Asia, this film confirms that my favorite subgenre is also gritty gangster films. Once again, an excellent cast, I've never had my fingers crossed for Tom Hanks like I did here, and as soon as the psychopathic Jude Law appears on the scene you wish him the worst from the first second. I definitely have to highlight the amazingly dark retro style, the intelligent story and the awesome soundtrack, even a tear dropped towards the end. Everything is actually flawless, nothing can be faulted. ()

POMO 

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English Road to Perdition is a very nice film with excellent acting and cinematography. But that’s where the praise ends. In order for it to be a gangster flick on the level of Coppola’s The Godfather, it would have had to focus more attention on the relationship between Paul Newman and Tom Hanks. And no humor should have intruded on the gloomy atmosphere. As it is, it’s more like Eastwood’s A Perfect World, scented with the perfume of American Beauty and ending with an overwrought climax. And the formulaic nature of the plot doesn’t do it any favours either. The phrase “he was my father” was on the tip of my tongue before young Sullivan even said it. ()

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