The Road Warrior

  • Australia Mad Max 2: The Road Warrior (more)
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The first sequel to MAD MAX takes place after nuclear war has destroyed Australia. In this installment, Max lends his aid and protection to a small band of survivors who are losing their struggle to protect an oil refinery under siege by a band of savage, mohawked marauders. (official distributor synopsis)

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Reviews (11)

kaylin 

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English The revenge movie model was swapped for a story set in a post-apocalyptic world where gasoline is the most crucial commodity because without it, traveling through the barren landscape becomes exceedingly difficult. The roads here are blocked by various scoundrels, but also by people who simply want to survive. One of them is Max, who sought revenge but did not give up on life. This time, however, he must confront more scoundrels and help people defend their gasoline source. At times, it's absolutely iconic - the boy with the boomerang is perfect. At other times, it's quite ordinary, but you have to consider that the film is 33 years old and still aging. The environment will constantly feel incredibly desolate to you at every moment, and that is definitely a welcome effect. ()

POMO 

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English A breathtaking post-apocalyptic action flick during which you feel the ubiquitous dust in your own mouth. Perfectly chosen locations, a dynamic plot with a powerful atmosphere, unique action scenes with cars. The Road Warrior is even better than the very good first Mad Max. What I wouldn’t give to see it on the big screen! ()

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Necrotongue 

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English The Road Warrior is a film I have seen many times and still enjoy. An action-packed post-apocalyptic blast and one of the top 5 action films of my childhood up there with RoboCop, Terminator, Alien, and Raiders of the Lost Ark. Among other things, the film contains great costumes and technology, but above all, it manages to draw me into the plot and doesn’t let go for a second. ()

J*A*S*M 

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English Desert, cars, trucks, petrol, blokes dressed badass… all things I don’t like, but I still I expected some decent entertainment from the cult Mad Max, a film that set the slightly clichéd template for pretty much every post-apocalyptic film. I didn’t get it, unfortunately. I acknowledge it as a strong source of inspiration, but otherwise, it’s weak, very weak. ()

novoten 

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English I prefer minimalism and anguish of the original over the overdone and loud action in the sequel. Though George Miller defines the post-apocalyptic genre in its essence and thus opens the doors for dozens of successors, it only answers the question for me of why I don't look for adventure in similar places. ()

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