Directed by:
Cate ShortlandScreenplay:
Eric PearsonCinematography:
Gabriel BeristainComposer:
Lorne BalfeCast:
Scarlett Johansson, Florence Pugh, David Harbour, Rachel Weisz, Ray Winstone, Ever Anderson, Violet McGraw, O.T. Fagbenle, William Hurt, Ольга Куриленко (more)VOD (4)
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In Marvel Studios’ action-packed spy thriller Black Widow, Natasha Romanoff aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. (Walt Disney US)
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Reviews (14)
I was thrilled, about halfway through. Black Widow starts as an unexpectedly dark and adult comic book movie, presenting broken and hesitant heroes and heroines instead of jokes, and surprisingly gritty action that doesn't deny that the creators took inspiration from Jason Bourne and Mission: Impossible. It's also humorless, and for a while it felt like the most mature Marvel movie ever, unafraid of themes you wouldn't quite expect to find there. But then, somehow, it breaks. Halfway through, it's as if the makers decided that their audience probably doesn't actually crave something like this and went back to their old ways of playing it safe, give or take. Black Widow does even that well, and when you take away the not-so-good contact action scenes and the weaker Taskmaster, it's at least a solid job and an inoffensive Marvel average. It just felt a little too little when they went with a more mature yet fully functioning style in the first part. I don't want to make it sound like Black Widow is a bad movie. It's a well-done comic-book routine, but as a viewer, I'm not completely satisfied with that anymore. Especially when Scarlet Johansson and her crew managed to show me that they can do better.
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Never trust doomsayers. A true blue Marvel movie, targeted at ladies, but not at all dumb. The introduction is awesome, dark and uncompromising, then it gets into the old rut, but the second half is more than just good too. Infantile humor made at the expense of Harvey Weinstein and tops it all with a family-flavor sauce made by Disney. The ending is strangely cut short (it lacks elimination of Ross or an explanation of whether or not it was Kapo who helped), but due it being set during the Civil War, that is more or less understandable. The biggest surprise the Widow holds is David Harbour and the whole over-the-top prison escape. We want a series spin-off with Crimson Dynamo! And Florence Pugh steals the whole show in the end. Such a poser.
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Black Widow isn't the weakest Marvel movie, but it definitely falls on the lower end of the spectrum. Still, when Marvel’s throwing around hundreds of millions on new projects, why not give a character who’s always been in the shadows her own film? Even if the story felt a bit lackluster and didn’t really grip me, I can’t deny that the action scenes were a highlight — especially the intense sequences in Budapest. The opening credits were a standout too, probably one of the best intros in the Marvel universe. The cover of “Smells Like Teen Spirit” by Malia J was an absolute blast. While the overall plot might be average, the ending managed to hit me harder than I expected.
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Marvel has been just spinning the same formula for some time, and so is now trying to make up for their past with a lot of catching up to do, ripping off everything from The Bourne Identity to the underrated Bond movie On Her Majesty's Secret Service. All this is done in such a lackluster manner which is so bland and stupid that it is bound to disappoint die-hard fans of this superhero franchise. The screenplay is not as cheap and crappy as in Captain Marvel, yet it is still completely pointless and a lame bare popcorn movie.
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I'm sorry to say it, but this is the most useless Marvel movie for me so far. I don't feel like it contributed at all to the MCU - it was created simply because the fans wanted a Black Widow solo film (and to find out what was in Budapest so that there would be peace) and Scarlett Johansson after Endgame probably didn't mind either. It's such a wasted chance, the film stays in its lane from start to finish, and although the action scenes are pleasantly and deliberately exaggerated (it's no coincidence that Natasha is watching Moonraker) and the main characters and heroes seem even more indestructible than Jason Bourne or any Terminator, which makes sense when I couldn't form any relationship with most of the characters during that fast ride, and in the end I didn't care what happened to anyone. Unfortunately, this also applies to Taskmaster, who is suddenly just there, and according to the creators we should be afraid of him, but we can't be, because it is clear to us that this is not the type of film in which the villain could win or at least come to a draw. There are jokes in Whedon’s style, and you can forget about any tension. If Black Widow can bring anything to the MCU in the future, then perhaps only the return of Florence Pugh and David Harbour. They would both make me happy. But there was no need to tell this Black Widow story.
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