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Three student documentary filmmakers venture into Maryland's Black Hills to discover the truth behind the myth of the Blair Witch -- and never return. The only trace of their disappearance comes one year later when their film footage, documenting their final terrifying days, is found. (official distributor synopsis)
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Rubbish that denies the assumption that a successful film should offer a distinctive story or a well though-out concept. The only artistic motivation of Blair Witch is to “look like real footage” and it succeeded only because viewers weren’t yet able to debunk that “authenticity”. If this film was released today, it wouldn’t make any waves. 90% of its runtime is people being lost in the woods and the remaining 10% is filled with some sort of tension when the wandering in the woods moves into a scary cabin. It has cult status and won’t deny it, but personally I hate it and it bores me like most other found-footage movies (with the exception of: Cloverfield, REC and Troll Hunter, and actually even Jákl’s Ghoul is quite better). 20%
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This is how a cult film is made. With a good idea, a well-thought-out campaign, and an ending that will be discussed long after the credits have rolled. I recommend watching it for the first time alone at night, you will never forget it. The final three minutes are still the peak of horror for me. And yet, even years later, I still have no intention of testing its effectiveness again.
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I didn't find it scary at any point, and let’s not talk about the atmosphere and the actors. But I'm fascinated by how much the filmmakers, on such a non-existent budget backed up by the brilliant website of its time, caught naive people out with a fable about a real documentary. When I was at school, almost everyone believed it.
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At the time of its release, The Blair Witch Project was literally a revelation in our movie theaters. I remember being scared shitless during the screening. It felt so authentic that I was really scared once when I got lost in the woods while looking for mushrooms and managed to get out of it only about two hours after dark. I immediately recalled this film. I consider The Blair Witch Project to be a near-perfect mystifying horror film. Moreover, those woods near Burkitsville, Maryland, have so much in common with the ones near where I live that I couldn't set foot in them for weeks after seeing it. (85%)
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Sam Raimi taught us over twenty years ago in Evil Dead that nothing good hides in the dark forests, and The Blair Witch Project adds that the biggest carriers of fear are people themselves. If this film is taken as a pure cinematic experiment that a "serious" filmmaker would avoid, it can be considered a "serious" spectacle. Otherwise, it can be seen quite off because as a whole, this film offers nothing beyond the trio of scared students, plenty of cursing, shaky handheld "eights" and "sixteens," and absolutely nothing else, not even music. Indeed, it's hard to believe that the cracking of branches, unknown giggling, or children's screams can evoke a sense of horror that makes one's hair stand on end. Just as the presentation of The Blair Witch Project is very personal, so too will each viewer's perspective be as personal, because everything there is to love about it can be criticized without any inhibitions. I’m giving it four stars for the original idea and also for the fact that in the final ten minutes, I almost crushed the remote control that I was holding in my hand.
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