Ghostbusters: Afterlife

I don't know, I guess it's the perfect genre for 6-15 year olds, but for anyone older it's totally underwhelming and unsatisfying. I haven't seen the previous films, so any nostalgia goes beyond me and I can only purely rate the film on its own merits. And that is simply a couple of kids chasing ghosts and herding them into a cage, nothing more, nothing less. I found the characters a bit annoying in the latter part of the film, the visuals are nice and colorful, but that's all I can find in it. Weaker than I expected, but I guess fans of the franchise will survive it, the rest if they're in a good mood anyway, but I did suffer through it a bit by the end. (01/02/2022)

I enjoyed the first half more, balancing nicely on the edge of nostalgia, where it was still bearable. But then the digital crap kicked in (there's no substitute for practical 80s effects), and Finn Wolfhard made me feel like I was watching a weaker episode of Stranger Things. And as much as I love the old crew from the 80's classic, they unfortunately – and surprisingly to me – weren't the element that lifted the film up at the end. A brief reminiscence is not enough for me. And when the post-credit scene is the only fun thing in a film, there’s something wrong. (01/12/2022)

This is how you revive a spooky classic. It blends modern elements while paying the best possible homage to the original films. Updating the cast to feature kids, like Stranger Things and It, works perfectly here. Plus, having the son of the original director at the helm added a respectful touch. Comparing this to the previous installment is almost impossible — the 2016 film felt too focused on cashing in and pushing a female-led cast. In Afterlife, the atmosphere alone sets it apart. You can even forgive the digital effects overload. (09/02/2022)

A laid-back movie that mainly encourages you to watch the two preceding two parts. All of the characters are just great, likeable and well-acted. The central heroine with the face of Mckenna Grace is just wonderful. The wonderfully well-depicted nerdy outsider status with young side-kick Logan Kim carries Ghostbusters along with him in amazing way. Raitman decided for a Stranger Things type atmosphere, and he was right, because they are - you have to admit it - almost the same thing.  Then he added the Ectomobile and some other contraptions from the original Ghostbusters. The ending is more like a big cameo show/farewell (which hardened fans will certainly appreciate) than a full-blooded conclusion. The attempt at a different approach takes it down a little, but I understand that without it everybody would be disappointed. (01/09/2022)

I liked it in the first half with its nostalgic retro vibe, but as it moves on and they start messing around with ghosts more, the new Ghostbusters becomes a nasty digital cringefest. The pleasantly energetic teenage adventure turns into a sort of shoddy respectful tribute to a couple of old-timers who save the day, though they look like they can barely stay on their feet. And the small town where it all takes place seems hilariously empty. (01/15/2022)