Directed by:
May el-ToukhyCinematography:
Jasper J. SpanningComposer:
Jon EkstrandCast:
Trine Dyrholm, Gustav Lindh, Magnus Krepper, Stine Gyldenkerne, Preben Kristensen, Frederikke Dahl Hansen, Ella Solgaard, Carla Philip Røder, Peter Khouri (more)VOD (1)
Plots(1)
Anne, a successful lawyer, lives in a beautiful modernist home with her two daughters and physician husband, Peter. Yet when Gustav, Peter’s troubled teenage son from another relationship, comes to live with them, Anne forms an intimate bond with Gustav that jeopardizes her perfect life. And what initially seems like a liberating move for Anne soon turns into a disturbing story of power, betrayal, and responsibility with devastating consequences. (Sundance Film Festival)
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Reviews (7)
What I thought the first half an hour of Queen of Hearts is that it’s a decently directed interlude to a “milf-stepmom something” video on Pornhub. And there really are porn scenes, with surprising details and naturalism. However, the irresponsible whim of the fifty-year-old married woman, which at first seems to be mere entertainment for a bored missus, turns into a family drama of unexpected proportions with an impact on everyone involved. The Danes are once again psychologically accurate in how they tackle the topic of the dark side of human nature, this time shown in a dangerous manipulative woman. The main character’s counter-attack when she is cornered by her husband is the most open admission of the most typical failing of the fairer sex. The film is surprisingly open and direct for today’s world. I’m kind of surprised that Trine Dyrholm wanted such a role.
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This seemingly peaceful family story develops over time into a chilling psychological drama. Northerners should patent such films for how bravely they can deal with dark themes. Trine Dyrholm played the erotically daring title role with unprecedented conviction, and she could not have played the insensitive Anna any better. It should be noted that Gustav Lindh and Magnus Krepper kept up with her throughout and also gave excellent performances. (85%)
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This is how I imagine a typical Scandinavian drama. The story unfolds at a very calm pace, I would even dare to say that it drags on for some viewers, but, for me, it has an ideal pace. After all, it's about everyday life, right? Sure, everyone has different standards, but in life, you are more likely to encounter situations presented by the Danish-Swedish group of creators rather than being abducted by a UFO or winning a billion-dollar jackpot. Well, I guess my life isn't exactly fast-paced either. I bet adolescents and hardcore puritans will remember only a few scenes from the whole film (the former just to get off on those scenes, and the latter to advocate banning this pornographic garbage), completely missing the point of the movie. For me, the theme was brilliantly handled. Trine Dyrholm shone in the role of a cold-blooded manipulator. When you realize what her character, Anne, does for a living (and what she probably considers her life mission), the film leaves an even more unsettling impression. I'll add a fifth star just to spite the self-righteous prudes. / Lesson learned: Every action has its consequences. But you also get urges...
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It’s better to watch this film without knowing any details of the story beforehand. The first fifteen minutes at least work like a slightly mysterious introduction to the background and the trio of main characters, who turn out to be a pretty interesting and psychologically unusually open gang. The female lead is a characterless villain who turns the lives of others upside down, but we can understand her and think freely about her actions. And it doesn’t matter whether you are a man or a woman, the main motifs are strong and comprehensible enough for everyone. 80%
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Quite a wild Danish story. The Danes were once again not afraid to open a quite serious topic, this time targeting a MILF who gets it on with the son of her husband. But because we’re in Denmark, the Scandinavians don’t skimp on the plot twists and you won’t believe the lengths to which Trine Dyrholm’s character is willing to go. After all the Scandinavian dramas I’ve seen, it doesn’t surprise me that much. The only thing that did surprise me in this film was one explicit scene, which will probably stay in my memory forever. Oh well.
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