System Crasher

Child's Play: Don't touch my face! I assume that the cyclical nature of the plot was meant to emphasize the hopelessness of the situation and exhaust the viewer, who encounters it for only two hours and from a detached perspective. The result is a “non-family film,” followed by admiration for those who try to chew through a morsel that was too large for its creator and then still have to somehow swallow it. (07/04/2024)

Germany serves up a dense, emotional, nerve-wracking, chilling and uncomfortable drama in the manner of the Scandinavians, and it's powerful! I was similarly torn by Nothing Bad Can Happen last time I saw a Germ film, and this one was similarly strong. The story focuses on a ten-year old girl who is literally a System Crasher. Her mother can't handle her and is actually scared of her, the social workers don't know how to handle her either, in fact no one can handle her at all and she is a terror to everyone. She's a ticking time bomb that could go off at any time. I personally didn't feel sorry for her because I don't sympathize with psychopaths regardless of age, especially considering the horrors they do to those around them. The highlight is the scene on the ice, unexpected directorial courage! The film has some uncomfortable and adrenaline pumping scenes and at times is not really fun to watch. One of those films that will leave something in you and if you don't have kids, you certainly won't be longing for the experience. Story*****, Action>No, Humor>No, Violence***, Entertainment****,Music***, Visual***, Atmosphere****. 8/10: (03/12/2020)

I had no idea that an uncontrollable child is referred to as a "system crasher" in Germany. But I was fascinated by how vibrantly, humanly, and rawly the director brought this concept to life in her debut film. I was captivated and enjoyed every minute of it. This film made me ponder whether things are any different in my country, or if we also face endless bureaucracy and a lack of more humane approaches within the confines of the rules. I suspect it's not much different here. The real question is, how many system crashers does our own society produce today? (02/22/2024)

I haven't seen such an uncompromising and rawly realistic social drama in a long time. I still feel sick to my stomach from the crazy cocktail of conflicting emotions that German director Nora Fingscheidt mixed together in her feature debut. When parents don't give their children enough love and care, they often grow up to be unmanageable brats. The aggressive and traumatized girl Benni, played by Helena Zengel in an incredibly convincing performance, is a typical example of an unloved child, whose every effort to be truly loved ends in abject failure... It seems to me that we live in a rather strange and overly technologized world, which is no longer a pleasant place for emotional individuals. This is also why I am very concerned that there are more uncared for kids running around, lost in the system, than we can even imagine. (95%) (09/20/2022)

A dense drama about a ten-year-old girl with aggressive outbursts of rage that her mother is afraid of, whilst social facilities pass her back and forth to each other like a hot potato. This is by far this year’s film with the most screaming, which also serves as a feature-length advertisement for contraception. The film boasts great actors and an empathetic insight into the worries of social workers, whose sense of hopelessness, threat and constant terror is successfully transmitted to the audience. The film excels in building fears of another fit by the little girl and offers a number of surprisingly chilling scenes, but in its second half goes in circles for too long and is slightly clueless about how to end the suffering somewhat satisfactorily. (06/29/2019)