VOD (2)
Seasons(8) / Episodes(192)
Plots(1)
Federal Agent Jack Bauer can't afford to always play by the rules. As a member of the L.A. Counter Terrorist Unit, Jack must stop bombs, viruses, assassination attempts, and usually save someone he cares about at the same time. Every season of this series has 24 episodes, each unfolding in real time following a consecutive hour in one very bad day. (official distributor synopsis)
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Reviews (7)
Day One: Certainly one of the milestone series without which superb series like Lost and Heroes would never have been made. The creators had the great idea of following one day in the life of the head of an elite anti-terrorist unit. It’s true that it’s almost unbelievable that so much happens in this one day, but there we are. Not a dull moment. Kiefer Sutherland is great as Jack Bauer and in fact all of the acting performances are A-grade. I’m intrigued to see what the next day brings... Day Two: Is great. The great idea of bringing a good old atomic bomb onto the scene was the best thing 24 could have come up with. Some episodes are still unsurpassed today. The only disruptive storyline is the one with Kim, but that’s about the only thing I didn’t like. Jack is on a roll and I want to be there when he starts another game on day three. By the way, George Mason (and Xander Berkeley) is cool and I’ve been rooting for him since season one. At one point I thought he was even cooler than Jack, and that’s saying something... Day Three: Certainly the most chock-full day yet. Maybe too chock-full. The first half didn’t work out too well and apart from Jack’s storyline, it was pretty boring. On the other hand the second 12 hours is the best the series has offered so far, so I’m still happy. I hope it will stay at least one the same quality level. I wonder what day four has to offer... Day Four: I thought that this would be lamer than the preceding days (I don’t know where I got that from, I probably read it somewhere or something) but they are serving up just as good a ride as before on a golden platter. I would like to praise the main villain, played by Arnold Vosloo, to the heavens. 24 was lacking such a slippery and, most importantly, Mr. Nice-Guy bastard. Chloe was a pleasant surprise too. She seriously rocks (especially in the terrain ;) and her straightforward approach can conjure up a smile on your face even in the most unsuitable situations. And the ending of the last episode was balm for my soul. That’s just the sort of ending I like best. I’m incredibly curious about what day five has in store for Jack... Day Five: Wow. An amazing ride. It was so bombastic that I spent the last day of 2007 and the first day of 2008 with Jack because I was just glued to the screen. An incredibly intense experience, a great villain (Mr. P. himself;) and a great ending again. Froggy president Logan gave an amazing performance. The last episode is the best we’ve had from 24. I can’t wait for day six... Day Six: The amazing beginning revolving around atomic bombs in briefcases completely blew me away. But that meant that for me the slow and predominantly political part that suffered from a serious lack of Jack was interminable. Luckily toward the end, everything began to return to normal and I was happy again. And I got to admit one thing, Jack is jinxed. But that doesn’t stop me from looking forward to day seven... P.S.: Even though the screenwriters’ strike is doing its utmost to prevent it. Come on guys, make a deal already ;). Day Seven: We have reached the inevitable and the series is beginning to select the best parts of the previous seasons and adding something new. Sometimes I thought I was watching things from day two or day three again. Luckily, they also raised the tempo dramatically and so there is no chance of getting bored. The fact that a plot that used to take until half way through the season unravels itself during just one episode is no reason to get upset. Also, from the start Day seven features a Jack Bauer (about the first 13 hours) who is heartless and almost robotically precise. This pattern is disrupted a little by spoileroid elements that I would rather skim over for the time being. The cast has undergone a marked improvement, apart from that awful Cherry Jones in the role of President Taylor. Apart from a few familiar faces, it’s Annie Wesching as Renee Walker who the role of Bauer’s partner fits like a glove and you are reminded of the good old Jack from the days when he still had a reason to live. She’s also pretty foxy and at last somebody to look at again in this series. Together with Elisha Cutherbert who proves to grampa Jack that she’s like him, thus nicely overturning one of the good old clichés of the series. Others who shone quite brightly include Colm Feore, the occasionally slightly annoying, but in the end solid Jeffrey Nordling and also Carlos Bernart who returns again as Tony Almeida. Tony’s storyline is probably the most interesting of all because, as a former stiff, he has a lot to explain. Not forgetting, of course, Jon Voight who outdoes almost every villain so far from previous seasons with his perfect embodiment of the pleasantly unhinged Jonas Hodges. Setting this season in Washington helped a lot and laid the ground for a few great scenes (the episodes in the middle in the White House), as well as a couple of really nice shots of the Capitol with changes in how the light falls on it (the orange is replaced by a cold blue) etc. I hope that moving the action to New York will have a similar and maybe even better effect, because NY offers lots of space (a shooting Jack running through the Rockerfeller Center) for very interesting experiments. It just remains for me to wish Kiefer best of luck in court and hope that the creators have that president dame killed on day eight. Date Eight: Now I’m almost on the brink of tears and so if this review turns into sentimental gibberish, you are more than welcome to stop reading. Jack Bauer begins his last day on TV on a clean page. Happy and with his family. We aren’t used to this. But, as usual, a terrorist attack comes knocking on the door and, despite all his efforts to prevent it, Jack is pulled back in again. President Hassan, the target, reminds me of good old Palmer and he’s quite a nice guy. Renee Walker is back, transformed into a killing machine and her role is to be the catalyst for the last few hours of the day. Of the new faces, I would like to highlight Freddie Prinze Jr. for being such a convincing action hero. He just needed the chance. And now to the story. The first three-quarters is the classic as we know it. Nothing really special, but still better than most of the regular competition. The then we reach a turning point that sits you right down in your seat and that’s when the ending that all of us fans wished for begins. Jack starts a kind of inferno that we haven’t seen for a long time and the dead bodies begin piling up. The political storyline is better than ever and that dumb president starts developing into a darn interesting character, under the influence of good old Logan (the again perfect Gregory Itzin), whose presence make me look forward to every sycophantic smile, trick, half-truth and subterfuge. As the diametric opposite of Jack, he is the perfect villain for the last few hours. The last episode maybe isn’t as action-packed as I had hoped (because “Events occur in real time" we miss out on lots of things, which is a darn shame), but it’s still a great episode. I was close to tears during the final scene and... darn, I need a tissue. I’m gonna miss ya, Jack. DAMN IT! Day Nine: So the clock started ticking again after all, and the authors take you briskly into the story. 8 days was too long, but everything is relatively well explained even for those who have only just jumped on the band wagon. This loaded twelve part series offers all that’s good (and bad) in the last series just with less stuffing. The terrorist mother is pretty familiar, but tries to offer something new from a drone’s point of view. Heller’s gang is back, after all they got a bit left out in the sixth series, but mainly Jack is back. Pissed and nasty. Just the way we like him. Tension is at breaking point in the last episodes stretching to the limits of endurance. The series is pretty creative in working with the viewer’s assumptions and deals him several surprises. The last episode is uncompromising and ends with a samurai sword and the ten minute epilog is a fine way to say farewell, with the ending that touches your heart. But only after the fadeout.
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"Real time" is an interesting incantation that works so far. I like the "handheld" camera and the cut-out shots that increase the dynamics of the plot... It's hard to judge for the first episode how this thriller will develop (it obviously goes according to genre schemes, but that doesn't have to be a bad thing), but I can already say that Sutherland is sympathetic and the dubbing is overall very good (especially Trojan does a good job)... I’d like to watch the next episode, because this looks like a series with its own identity and a slightly progressive spirit... // After watching the other episodes, however, I can't help myself - other than a slightly unusual approach, this is a perfectly typical US thriller that has not attracted me through anything...
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Provisional rating after 14 episodes: It is definitely not "the best series of all time", as the copious advertising campaign tried to make us believe, but only a slightly above-average miniseries, in which three storylines are artfully put together to make it enough for 24 episodes without the viewer feeling bored. So far, this has worked out, but otherwise there is nothing groundbreaking in terms of plot. Using multiple windows looks good, but again nothing new under the sun. And most importantly – the biggest attraction – the action taking place in "real" time, takes a beating. Not only do some situations take on an unlikely dimension, but the frequent five-minute jumps look weird. Sure, in the US, these jumps are used for five-minute commercial breaks, where obese Americans learn what weight-loss product to buy, and at the same time can feel that something is still happening in the fictional world of Jack Bauer. The commercials end and they're still in real-time, except Jack has moved his car three miles or gone to the bathroom during those five minutes. Meanwhile, we Central Europeans have to watch in dismay as entire blocks of time disappear before our eyes, with the TV channel spicing it up with commercials. But enough with the snark. 24 is a well done job, which didn't impress me (yet), but as a one time, to kick back and relax, why not? Let's see what the next episodes bring.
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I've only seen the first two seasons, then this format got a bit tiresome for me. The series was preceded by a generous advertising campaign that set expectations very high. 24 is a typical commercial product, with its advantage lying in dynamic editing and a script that revels in dramatic twists, not to mention the lead performance by Kiefer Sutherland. On the other hand, the series is accompanied by a number of script shortcomings, such as the nonsensical and overcomplicated motif of the destroyed plane in the first season. There are also plenty of genre clichés from action movies and the invincibility of the main character. If Jack Bauer can do it, then why do Americans have trouble in Afghanistan, Iraq, and elsewhere? In the second season, the superfluous subplot with Bauer's daughter is evident, and similar criticisms could be found upon closer examination. Nevertheless, the dynamic plot and script twists place the series slightly above average. Overall impression: 60%.
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A dynamic series, but 8 seasons may be a bit too much. There are interesting plot twists, but there is also a lack of subtlety and unnecessary stretching. It's acceptable, but three or four seasons would be ideal. Surprisingly, for an action series, with a few exceptions, it doesn’t have very high-quality action scenes.
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