Directed by:
Mark Steven JohnsonScreenplay:
Mark Steven JohnsonCinematography:
Russell BoydComposer:
Christopher YoungCast:
Nicolas Cage, Eva Mendes, Wes Bentley, Peter Fonda, Sam Elliott, Raquel Alessi, Donal Logue, Brett Cullen, Matt Long, Jessica Napier, Ryan Johnson (more)VOD (3)
Plots(1)
The prophetically named Johnny Blaze and his father perform death-defying stunts in a carnival, but the real danger to his dad's life is the cancer growing within his dying body. To save him, Johnny makes a deal with Mephistopheles (Peter Fonda) and sacrifices his soul. When his father is killed mid-stunt, Johnny runs away, leaving behind his grief and a young love named Roxanne. Years later, Johnny (Nicolas Cage) is the most famous rider in the country. Despite his daredevil tendencies, Johnny is a different man when he's not riding his bike. Though he wears leather jackets and pants, he prefers jelly beans to Jim Beam while listening to the Carpenters. Years have passed since Johnny has seen the love of his life, but he still carries a torch for Roxanne (Eva Mendes). When he sees her after a stunt, he tries to regain her love and trust. But it's time for the devil to take his due as he brings Johnny into an epic battle with Blackheart (Wes Bentley). In the presence of evil, Johnny transforms into a super-strong skeleton with a flaming skull who has the power to defeat Blackheart and his minions. (official distributor synopsis)
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Reviews (7)
There’s plenty of unintentional stupidity, framed by an utterly desperate story with impressively decadent rules (probably pulled from the comic book universe), in which a burning horseman wrecks half a city just for the sake of it, only to then destroy a bunch of emo-villains with the grim gaze of a flaming skull It’s all combined with Johnson's routinization (the man can't even film a motorcycle ride) and Cage’s toupee. I can’t even call this a "guilty pleasure." Yet the film will go through the burner and in a few years it will get a chance to do it better. Then maybe an extra star will shine for it. But until then... Shit Rider.
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Action, humor, darkness, and one big antihype. I don't understand what's funny about a cow mooing in three emotional/action-packed/suspenseful moments, but on the other hand, I also don't understand why transformations into Ghost Rider or wreaking havoc with a motorcycle are considered a cinematic disgrace. I don't know who expected X-Men-like psyche or Batman-like depression from Mark Steven Johnson, but his work brought me harmless relaxation. The kind of relaxation that was expected from a comic book a decade ago. For this old-school approach (even though sometimes bordering on uncontrollable B-movie quality), the fiery Nicolas Cage and the third star are flying high.
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The dumbest comic book movie of the last few years with an incredibly cheesy Nicolas Cage, whose haircut is more interesting than he is. Ghost Rider is terrible and Mark Steven Johnson is a loser of the first category. Something could have been squeezed out, after all, thematically it's not completely dead, but Johnson wouldn’t have to be pretending to be someone who can effectively combine romance (nothing special), action (very little), and mystery (laughable). The wannabe mythical plot adorned with legends is probably as exciting as the rampage of the Ghost Rider himself. Not to mention the fact that the director steals wherever he can (those who don't see Blade in the end should buy glasses), and not even the outrageously gorgeous Eva Mendes can save things. And the pile of embarrassing cliché bollocks? That’s something I haven’t seen for a long time.
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Mark Steven Johnson is an incredible bungler. He loused up almost everything that could kindle the suspense and darkness of the comic book. The only thing that he kindled were jokes that I admit were occasionally quite good, but mostly not. Cage enjoyed his role, without a doubt and his overacting (it must have been on purpose, otherwise I can’t explain it) can be entertaining in places. The special effects aren’t very convincing. Which is fairly pitiful, considering they worked overtime on them. Most of the demons look painfully digital and the Ghost Rider himself also is sometimes a bit shoddy. Although there are a couple of "must see" scenes (ghost rider motorbike and horse running side by side) which worked well, but despite it’s potential, GR is really bad.
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The director of Daredevil is back, and he's reaped the same success as he did with the latex devil back in the day. Oh, the irony. Ghost Rider is awkward. Unbelievably. I didn't just send it to garbage hell because the film doesn't quite deserve it. The main blame obviously lies with Mark Steven Johnson, who would not have been able to film an interesting Forrest Gump script if he had gotten his hands on it. If everything and everybody else conforms to his boring directorial style (resulting in a bland Nicolas Cage, who was an ideal casting choice, a dull-looking and acting, albeit beautiful Eva Mendes, a ridiculous Peter Fonda and moronic villains), nothing good can come of it. Just a wannabe badass spectacle that can only please die-hard lovers of motorbikes and leather jackets and chains, of which I am not one.__P.S. Sam Elliott, who apparently reprised his character from The Big Lebowski (whether he knew it or not), made me laugh out loud.
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