Directed by:
Andy FehuCinematography:
Jakub ŠevčíkComposer:
Mojmír MěchuraCast:
Štěpán Kozub, Jakub Štáfek, Martina Babišová, Andrea Daňková, Tomáš Magnusek, Peter Serge Butko, Jan Nosek Novák, Leoš Noha, Jana Kovalčiková (more)VOD (1)
Plots(1)
Shoky and Morthy are best friends and successful YouTubers, but their fame is slowly beginning to fade. While Morthy would like to quit, Shoky comes up with ideas for making their videos more interesting… and bloodier. In the end, they set out for one “last big thing” that will save their YouTube channel and their disintegrating friendship. (Karlovy Vary International Film Festival)
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Reviews (7)
A glimmer of hope for Czech cinema... Kozub and Štáfek drift through today’s pulp online inspiration unscathed, poking fun at it in a way that makes you laugh out loud. Andy Fehu has a feel for comic timing and lets Kozub improvise when needed, like he does in his YouTube show Three Tigers, but manages occasionally to calm him down a little. The journey to find the dead bride, combined with the story of disintegrating friendship pulls another ace out of its purse in the form of Magnus’ "Master of the Shits" which presents YouTubers in their full glory. It’s been a while, but at last a really amusing Czech movie. P.S.: It even made it to Netflix, which is a triumph for the main protagonists.
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This is the most complex Czech film of the last decade. I mean it! All the foreign samples are put together into a purely Czech whole that works in all conceivable positions. The satire toward the local YouTube scene could perhaps be a bit sharper (and maybe that's why I'm not giving it full stars), but I enjoyed everything else perfectly. There's no point in naming specifics, but the scene with the shit is exactly the kind of thing everyone else wished they'd made, but it never came out exactly in the balanced level of dementia and wit that it does here. I'm going to pretend this wasn't all a coincidence and I’m cautiously hoping for a sequel.
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Well, this was a highly ambiguous matter. I thought it would be a fairly direct attack on the fortress, regardless of its quality, but it wasn't. I was quite bored for part of the duration, while at other times I was fairly entertained, but I never laughed out loud. Štěpán Kozub was at least a notch above the others with his performance, but I almost passed out when I realized who came in second place. Tomáš Magnusek!!! This amateur and the second-worst Czech director in my personal ranking completely blew me away with his acting. So to sum it up; the movie didn't impress me in any way, but it also didn't offend me, and the duo of Kozub/Magnusek ensured it had a slight above-average quality. I still can't believe it. Tomáš Magnusek!!!
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A cheaper but decent horror adventure comedy from Czechia! The story focuses on two youtubers, one of them is getting tired of it, so they decide to do one last video for the fans: a documentary about the mystery of the nice crosses, featuring even a Bloody Bride! As a comedy, it is funny mainly thanks to Štěpán Kozub (knowing his previous works is an advantage). His acting style and more abrasive humour are always welcome for me. The film has a nice pace, good actors and a lot of interesting ideas and especially an unexpected ending where a buddy-comedy with ghosts turns into a minor splatter, and I like that. Story 3/5, Action 2/5, Humour 4/5, Violence 3/5, Fun 4/5 Music 3/5, Visuals 3/5, Atmosphere 3/5, Suspense 3/5, Emotion 2/5, Actors 4/5. 7.5/10.
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Andy Fehu’s new project is likable because, among other things, it doesn’t try to ply the same waters as his breakthrough revelation The Greedy Tiffany, although this may cause some mild disenchantment and unfulfilled expectations among viewers who were enthusiastic about his debut. On the one hand, the project has a whiff of Štěpán Kopřiva and his meta-reflexive work for experts in the area of genres and pop culture. Fortunately, however, Andy Fehu does not base his film only on quoting from particular models. He works with a more general and more generally applicable range of formalistic and stylistic associations, which he uses to enrich his biting comedy from the world of the young and self-absorbed. The awkward but sincere forty-year-old Radomil inevitably comes across as the most likable character. Tomáš Magnusek deserves considerable credit for this due to his breathtaking performance. This is where we see the difference between Shoky & Morthy and Kopřiva’s works with their casting of Michal David and Dada Patrasová. Fehu isn’t satisfied with a mocking wink and a role that benefits solely from the actor’s status as a celebrity. Instead, he gives Magnusek room to play the part with grace and a range that surpasses everyone else involved. If he doesn’t come away from this with a nomination for the Czech Lion for Best Supporting Actor or the Czech Film Critics' Award for Discovery of the Year, it will be a disgrace for both institutions.
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