Composer:
Michael KamenCast:
Damian Lewis, Scott Grimes, Ron Livingston, Donnie Wahlberg, Shane Taylor, Rick Warden, Michael Cudlitz, Neal McDonough, Frank John Hughes (more)VOD (5)
Episodes(10)
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Currahee (E01)
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Day of Days (E02)
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Carentan (E03)
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Replacements (E04)
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Crossroads (E05)
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Bastogne (E06)
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The Breaking Point (E07)
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The Last Patrol (E08)
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Why We Fight (E09)
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Points (E10)
Plots(1)
Fresh from training camp, a company of US soldiers plunges into the harsh realities of World War II as they make a treacherous journey across Europe. (Netflix)
Videos (1)
Reviews (11)
Fantastic work! The creators took the best of Saving Private Ryan (a naturalistic and technically brilliant depiction of the war), got rid of the disgusting patriotic pathos, and focused their series on believable flesh-and-blood characters who make mistakes and behave like real people. The narrative concept, in which each episode focuses on a different point of view and pays attention to different characters, is initially confusing, but once you get used to a few key faces, Band of Brothers becomes a truly addictive affair. The image of war is appropriately harsh, immediate and indeed brilliantly transmitted through the eye of the camera to the viewer's brain. The perfectionism of the camera and the direction is astonishing, and even though we have already seen most of the tricks in Spielberg's war tale, it is only in Band of Brothers that it truly feels immediate. Michael Kamen's majestic music is also excellent, and of course the screenwriters deserve maximum recognition, who managed to mesh the seemingly disparate war images into a completely coherent whole and create the potential for film images as powerful as the miniature love story of the medic and the French nurse in Bastogne. Band of Brothers is not just a spectacular experience, it is also a supremely impressive portrait of war suffering and everyday heroism...
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Amazingly shot series with the best take on the WWII that you can see. From the moment I met the cast of characters in Episode 1, I cared about all of them, and it stayed that way until the end. And on top of that a wonderful soundtrack, set design, effects, sound. This is how you properly use a generous budget.
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A Saving Private Ryan movie stretched over ten hours? Nope. Because Brotherhood is better than Ryan. It goes into more depth (which makes sense given that it has so much time and characters to do so), is more believable, and especially after I read the book, it became unbeatable for me. The Tom Hanks-directed episode is clearly the best.
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Some of the episodes are “only” brilliant and some are downright masterpieces, especially episodes six, seven and nine: Bastogne, The Breaking Point, and Why We Fight, the last one of which took my breath away. By the way, the fifth episode, Crossroads, was directed by Tom Hanks himself and with his use of interesting cuts between two time planes and unusual camera angles he proves that he is not only a great actor but also a great director. Overall, I bow in deep respect to the people behind this ten-part work of genius, for the impeccable filmmaking, for the absence of annoying jingoism, and for the deep humanity that permeates all the episodes. Ladies and gentlemen, 5 stars is not enough in this case!
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Probably the best war series or film I've ever seen. Except for minor details, it has absolutely realistic combat scenes, weaponry and equipment, a well-written script, and well-cast characters. I would never have expected to see anything like this made by the Americans. They never seem to bother with historical accuracy of combat equipment. Those who've seen Battle of the Bulge know what I'm talking about. Their strategy is the following: a tank’s a tank, and as long as it has tracks, who can tell the difference? This series shows that with a little effort they can achieve greatness. Plus, the show doesn’t just focus on combat action, it also portrays the characters very well, which makes it even better and more interesting. The only disappointment came when the final episode was over.
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