Directed by:
Wolfgang PetersenScreenplay:
David BenioffCinematography:
Roger PrattComposer:
James HornerCast:
Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Peter O'Toole, Julie Christie, Saffron Burrows, Brendan Gleeson, Julian Glover (more)VOD (3)
Plots(1)
Throughout time, men have waged war. Some for power, some for glory, some for honor - and some for love. In ancient Greece, the passion of two of history's most legendary lovers - Paris, Prince of Troy and Helen, Queen of Sparta - ignites a war that will devastate a civilization. When Paris steals Helen away from her husband, King Menelaus, it is an insult that cannot be suffered. Familial pride dictates that an affront to Menelaus is an affront to his brother Agamemnon, powerful King of the Myceneans, who soon unites all the massive tribes of Greece to steal Helen back from Troy in defense of his brother's honor. In truth, Agamemnon's pursuit of honor is corrupted by his overwhelming greed - he needs control of Troy to ensure the supremacy of his already vast empire. The walled city, under the leadership of King Prium and defended by mighty Prince Hector, is a citadel that no army has been able to breach. One man alone stands as the key to victory or defeat over Troy - Achilles, believed to be the greatest warrior alive. Arrogant, rebellious and seemingly invincible, Achilles has no allegiance to anyone or anything, save his own glory. It is his insatiable hunger for eternal renown that leads him to attack the gates of Troy under Agamemnon's banner - but it will be love that ultimately decides his fate. Two worlds will go to war for honor and power. Thousands will fall in pursuit of glory. And for love, a nation will burn to the ground. (official distributor synopsis)
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Reviews (8)
Homer did not deserve this. The Olympian gods didn't deserve it either. The screenwriter completely omitted them, thus depriving the famous story of its true spice, the element of magic and mysticism that so befits ancient epics. If there aren’t any gods or magic, what’s left? A script that is hackneyed, very distantly inspired by “The Iliad”, full of clichés, pathetic chatter and would-be deep thoughts, a boring story that doesn't grab you by the heart and is clumsily told. And there’s not even eye-candy! I just have to laugh at Petersen's talk of "unprecedentedly clear fight scenes", it's just the opposite and the very good Hector vs. Achilles fight doesn't save it. It's not surprising that all the essential fight scenes are seen in just the trailer. If I had to make a comparison, Scott's Gladiator, with about half the budget, looks much more narrative, and although the script was similarly silly, it was a real visual treat, which can't be said of Troy. A few computer-generated shots of the city and incoming ships, Petersen's lacklustre direction lacks any ideas, with rare exceptions. The music wasn't great either, and a few words about the actors: I believed Pitt's arrogant Achilles, Bana is incredibly charismatic, O'Toole is still a great actor, only Bloom, with his not very wide acting register, spoils it and regularly alternates between two expressions: a timid and stubborn. The boss at Warner was in tears during the screening. I wonder if it wasn’t for the desperation of where they burned those 200 million bucks. Poor guy.
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Troy is definitely not bad and it has everything that a big-budget production can offer: young and attractive actors, solid war scenes and somewhat decent romance. Above all, it benefits from the stunning Iliad, although unfortunately it only took the rough skeleton and some essential events from it. The notable drawbacks are Diane Kruger and Orlando Bloom, who seem like advertising mannequins – completely unbelievable. On the other hand, Brad Pitt and Eric Bana are surprising. Wolfgang Petersen is more than a decent craftsman who can handle large budgets and thousands of extras. The ending is powerful and the voice-overs are extremely stylish and suitable for this type of film. It's necessary to see the Director's cut, it has gripping bloody battles and at least half a star up.
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A sugary parade of stars and spectacular fight scenes. The actors are decent and the production design is nice. The fight between Achilles and Hector may be the best I have seen in the genre, though that’s debatable. Troy doesn’t have even a fraction of the charm of William Wyler’s films and is nothing more than a calculated, technically brilliant popcorn flick.
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Troy is notable primarily as a case study on how Hollywood adapts a classic work with countless characters, motifs and both supernatural and earthbound elements into the form of a spectacular mainstream popcorn epic needing fewer characters, a few cleanly resolved storylines and, mainly, the omission of everything that could be off-putting for the supposed majority of viewers, i.e. everything from deities to non-heterosexual relationships.
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An ambitious epic that stumbles over its miserable screenplay and idealess directing. A tirade of mediocre scenes and seeming ignorance of the myth make Troy an uninteresting attempt at a great movie which is closer to being a big studio sword-and-sandal Cecil B. DeMille epic than a modern movie intended for the big screen. ♫ OST score: 2/5
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