Directed by:
Antoine FuquaScreenplay:
Ian ShorrCinematography:
Mauro FioreComposer:
Harry Gregson-WilliamsCast:
Mark Wahlberg, Chiwetel Ejiofor, Sophie Cookson, Jason Mantzoukas, Wallis Day, Dylan O'Brien, Rupert Friend, Toby Jones, Kae Alexander (more)VOD (3)
Plots(1)
Self-medicated and on the brink of a mental breakdown, Evan McCauley (Mark Wahlberg) is haunted by memories of places he has never been and manifests skills he’s never learned. When a secret group that calls themselves “Infinites” comes to his rescue, they reveal that his memories are real but they are from multiple past lives. Evan must work with the Infinites to unlock the answers in his memories that are the key to stopping a madman from destroying humanity. (Paramount Home Entertainment)
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Reviews (4)
These days, it's pretty common for B-list sci-fi movies to feature a couple of A-list actors. Unfortunately, it's also common for those movies to be pretty terrible because it seems like anyone can make a film now. Antoine Fuqua isn't just anyone, but he seems to have missed the mark here. Infinite is a total mess — boring and completely unengaging.
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Antoine Fuqua is a director whose every new film I look forward to (Training Day, The Equalizer, Southpaw and The Magnificent Seven). I've enjoyed his work, so of course I was looking forward to Infinite. I also like Mark Wahlberg, but this unfortunately won't be a film I'll remember. OK, the 43% is no doubt unfair, the film is really not that bad. The craftsmanship is okay, it doesn't feel underfunded, the actors are okay, and the idea of reincarnation is fine, but not used properly. I'm not one to criticize lack of logic, a stupid plot and such things, let fans of dramas and similar intellectual retirement movies that are unwatchable and unbearable for me deal with that. For one thing the film lacks R-rated action, that's just basic and points are always down for that. I wouldn't be angry if Fuqua had worked on the humour in the non-action passages, a bit of witty enlivenment would have done the film good. Also, given the reincarnations, I was hoping they would show flashbacks (like the Punic Wars, the French Revolution), hell if they had devoted 10 minutes to that I wouldn't be angry at all. I was also a bit puzzled by the fact that if someone has a few years of experience in martial arts, why the hell can't you see it? The enemies don't show much of anything, the threat is minimal and it's definitely underused and underdeveloped in that regard. The action is a bit plain, flat and lacking in proper spice, and that's a shame. I have to give a shout out to the steampunk shotgun, though, it was awesome. Overall, it feels hastily made, but I still didn't suffer with it, I wasn't bored, it went by relatively alright, so I have no problem giving it an average 3 stars due to my love for the genre. Next time I would prefer something in the style of Training Day, Antoine! Story-**, Visuals- ****, Action-***. Suspense-**, Gore-no, Humor-**, Actors-***, Atmosphere-*. 5.5/10.
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Over the top drivel with a demented script. The idea of reincarnation isn’t all that bad, but where have the flashbacks into past lives gone? Fuqua is still good at his craft and deals out one action scene after another. And it doesn’t matter that they are full of unexplained nonsense. The ending is even more absurd that something out of Fast & Furious. Marky Mark doesn’t even try acting, but the show that Ejiofor puts on as Bratwürst is almost perversely funny to watch. That eye-rolling freak with a super gun whose motivation is…ending of the continuous boredom in the womb before being born? Hey, come on now!
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Antoine Fuqua really let me down here. I was a bit wary from the start; the trailers didn’t convince me at all. Still, I reassured myself that the Wahlberg-Fuqua duo would ultimately deliver. Unfortunately, that scenario turned out to be true. The concept itself might have been okay, but the overall execution on screen felt sloppy and half-hearted. The action sequences were underwhelming (everything looked overly digitized, as evident from the opening chase in Mexico City). The script was weak, with no surprising twists, and Wahlberg seemed unsure of his role at times. At least Ejiofor worked well as the villain. Another plus was Sophie Cookson; she was pleasant to watch. As for the ending with the airplane? It was laughable and comedic. Sure, not every film can be a hit, but this one had the potential to be rated higher. For me, it’s 4.5/10.
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Gallery (45)
Photo © Paramount Pictures
![Infinite - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/166/760/166760652_c69a38.jpg)
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