Directed by:
Roman PolańskiComposer:
Jerry GoldsmithCast:
Jack Nicholson, Faye Dunaway, John Hillerman, John Huston, Perry Lopez, Burt Young, Bruce Glover, Joe Mantell, Roy Jenson, Diane Ladd, Darrell Zwerling (more)VOD (4)
Plots(1)
Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. (official distributor synopsis)
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Reviews (12)
The basic structure of the story is quite similar to L.A. Confidential, with mysterious murders, a lot of peripheral characters, a foggy and unpredictable plot, and slowly revealing connections that gradually fit into a complex pattern of the motive of the murder. Roman Polanski brilliantly captured the atmosphere of a classic noir film. Throughout most of the film you can see a constant twilight, which gives it a special mysterious touch.
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It's not exactly a film noir because it lacks the main character's accompanying monologue. Instead, it reminded me of L.A. Confidential (yes, I know it's considerably younger, but I saw it first). It also felt as if this movie inspired the creators of Rango. The story was very well constructed, the cast was fantastic, and Roman Polański's direction style usually suits me. Everything came together in perfect harmony; there was a great atmosphere and tension, and I was immensely pleased with how the conclusion was handled. It's evident that film themes come and go, but corruption is a solid rock that doesn't succumb to erosion in that vast ocean of change. / Lesson learned: If your daughter is also your sister, something is not quite right.
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I've heard maybe too much praise for the movie, and perhaps I'm already a bit influenced by the current state of the world, so the major revelation didn't feel that shocking to me. But it's still a great film, which Polanski guides with an incredibly sure hand to the end, and it offers no happy ending, which in this case is a good thing.
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The peak of 1970s grim noir crime investigation with the grand Jack Nicholson, who – apart from delivering a standard high-quality performance – can also add another notch in his belt representing more actresses in his favorite bed. Apart from the amazing Jack and the gloomy atmosphere, it’s a standard film noir.
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I recently saw this gem for about the fifth time, but finally for the first time in widescreen uncut format (shame on our distributors that this, one of the best films of the 70s, has never been released on DVD with Czech support). It's rare that a film draws me into the action as if I were there, but Chinatown has an extremely dense, almost oppressive atmosphere of the sun-baked streets of summer Los Angeles in the 1930s, where the slowly escalating plot begins as a fairly ordinary noirish detective story, only to grow into a drama of antique proportions at the end. I've seen Jack Nicholson in many, many films, but here he plays the role of his life in my eyes, and the same can be said about Faye Dunaway. Jerry Goldsmith's music touches on perfection in places, with the saxophone never sounding sweeter than during the melodically expressive “Love Theme”. There was strong competition at the Oscars that year (Godfather II, The Towering Inferno, etc.), but I still can't shake the feeling that the academics were asleep when they awarded Polanski's masterpiece only one statuette out of eleven nominations - for screenplay. One of my Top 10 films.
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