Directed by:
Taika WaititiCinematography:
Barry Baz IdoineCast:
Chris Hemsworth, Natalie Portman, Christian Bale, Tessa Thompson, Taika Waititi, Russell Crowe, Jaimie Alexander, Chris Pratt, Dave Bautista, Karen Gillan (more)VOD (4)
Plots(1)
Thor: Love and Thunder finds the God of Thunder on a journey unlike anything he’s ever faced – a quest for inner peace. But Thor’s retirement is interrupted by a galactic killer known as Gorr the God Butcher, who seeks the extinction of the gods. To combat the threat, Thor enlists the help of King Valkyrie, Korg and ex-girlfriend Jane Foster, who — to Thor’s surprise — inexplicably wields his magical hammer, Mjolnir, as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late (Walt Disney US)
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Reviews (11)
Forget about Raimi’s Doctor Strange. Yes, this Thor may be mostly colourful and goofy at first glance, but Taika Waititi is such a stud that he doesn't have to give up his style to tell a serious story that will be very important to Thor again, and that will fail to touch perhaps only audiences with a heart more stony than Korg's. It'd be a shame to give anything away or imply anything, because the trailers are far from revealing everything. But it's a joy to see Marvel back in full force, which means a brilliantly shot great story (compared to the aforementioned Strange, it's not only funnier, but even more horrific and has the perfect villain), whose end credits make it clear you're not going to get bored of it.
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An even bigger Thor: Ragnarok than Ragnarok itself. Overloaded action, 80s explosions, workable pathos, and a standard of taste trampled somewhere in the dirt. Thor has found the utmost limits of self-parody in his quest, and even though the public doesn't need to know him like this anymore, I couldn't be happier. It was a bold choice to alternate between the most infantile lines, the almost melancholic mood, and a theatrically demonic enemy, one that's not worth trying to overcome because it might not even be possible without disrupting the entire concept.
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Given the reviews, I was worried about this one, but it turned out just fine. Sure, it’s simpler, more straightforward, and definitely less funny than Ragnarok, but it’s still an enjoyable, laid-back watch — perfect for a rainy Sunday afternoon at the cinema. The problem with this film might be that, after the near-genius of Ragnarok, everyone was eagerly awaiting the next installment, and it didn't quite deliver anything extra.
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The hysteria around this film it’s pointless, I didn't find it any worse than Waititi's previous entry. It's almost heretically disrespectful to the comic book genre, it doesn't take itself seriously at all, and as someone bored to death with most Marvel movies who sees the whole of Phase 4 as a degradation of everything the entire Marvel universe stands for, this film actually made me happy. No one speaks seriously, no one delivers pathetic speeches, and if anything, you can feel Waititi's irony in it; Gun´n´Roses gives it the right note of rebellion, and the annoying goats that a lot of people complain about take up only minimal space. Bale's Gorr is great, he has a believable dramatic arc, and Russell Crowe and his lard-soaked character finally got a meaningful use, I enjoyed his Zeus a lot. Normally I'd give 3*, but I'm rooting for crazy nerds like Taika, cinema needs people like him.
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Dads and their daughters will love this movie. As will hard-ass homosexuals and superhero lesbians. Taika Waititi takes all contemporary popular trends, then shakes them up and stirs them, making fun of them all. Sometimes good fun and sometimes even better fun. And then they add goats, whose audio is reminiscent of Natalie and Tessa’s Annihilation, a load of big-headed gods who behave like they are in the House of Representatives when TV coverage goes dead. Bale’s Gorr is the powerhouse of this movie; at the beginning he’s moving, in the middle surprising and funny, and in the end every daddy ends up with his head in his hands, wiping away a tear. Both of the first Thors are fine and Love and Thunder brings a good conclusion to the romantic storyline of the first two movies. Hemsworth is now in great form, after working out with the Guardians of the Galaxy, and Portman enjoys her role much more than before. Ragnarok was better and more consistent, but this is even more playful and out of control. If it’s going to be anything like this, I’m really looking forward to the sequel... But expectations difficult to live up to.
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