Directed by:
Sam RaimiCinematography:
Bill PopeCast:
Bruce Campbell, Embeth Davidtz, Marcus Gilbert, Ian Abercrombie, Bridget Fonda, Patricia Tallman, Ted Raimi, Josh Becker, Harley Cokeliss, William Lustig (more)VOD (3)
Plots(1)
Bound in human flesh, inked in blood, and amazingly hard to pronounce, the ancient "Necronomicon," or "Book of the Dead," transports a department store clerk and his '73 Oldsmobile into England's Dark Ages to face legions of undead beasts in director Sam Raimi's outrageously hilarious sword-and-sorcery epic starring Bruce Campbell. (official distributor synopsis)
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Reviews (12)
Where are the days when versatile directors dared to make something so incredibly outlandish. What I love about Army of Darkness is how Raimi subversively embellishes every filmmaking choice with the ultimate bizarre fantasy fable. The whole thing is based on hackneyed chivalric tales about the chosen hero, which the inventive director turns into a pure parody with a protagonist who repeatedly worsens the situation and behaves like the complete opposite of the ideal hero (he is rude to women and mean to his subjects, constantly harms himself, and unleashes the army of the dead due to his own sloppiness). The script is bursting with original ideas, and the work with style and environment is funny, too, highlighting the various parodied scenes (fire and silhouettes of characters in the love scene, close-ups in the heroic moments, quick-motion in the scene with the two Ashes). The effects may look outdated, but that’s very fitting. And yet the focus is entirely on the awesome Bruce Campbell, who gives one of the funniest performances I've ever seen (I'd give him an Oscar for the mill and cemetery sequences alone). It's definitely very guilty pleasure and sometimes out of control, but that makes me love it all the more and throw in that subjective fifth star.
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If I were to say that Evil Dead 2 is Bruce Campbell's one man show, what am I supposed to say about Army of Darkness? I know, it's a show of several Bruce Campbells (of different sizes). The story doesn't seem to exist, but everything from the beginning to the end is pushed by Ash and charming special effects, which are really abundant here. While the escapades in the windmill are reminiscent of the hand scene from the second film, the final battle with the "Harryhausen" skeletons is unique. And I haven't even mentioned yet how funny Army of Darkness is (no, it really doesn't have much to do with horror). What I liked most was Ash picking the right Necronomicon (when his deformed head looked very, very, very strikingly like Al Pacino) and his irresistible recitation of the three key words.
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The situation with Sam Raimi is strange - his early films have an unshakable cult status, even though they have been significantly affected by the passage of time, and if I were to go back to Evil Dead or Evil Dead II, I would probably need a stiff drink to encourage me because otherwise, they would seem too stupid to me. However, it is evident that they were made by someone who can do better. With each subsequent film, Raimi improved and each of his films had a weaker impact on the audience. Army of Darkness is not the younger sibling of the two aforementioned low-budget slasher films and instead is a much older relative of Raimi's film Drag Me to Hell. It is a horror comedy, where the director makes fun of genre clichés, horror props, over-the-top heroes of B-movie trash, and even himself. It can be criticized in a hundred and one ways, but it is filmed with such irony and quite a distinctive directorial style, that I generously overlook those flaws. It is entertaining, and undemanding, but not stupid, and in my opinion, it is the first work in his filmography that withstands stricter standards. Bruce Campbell with his lines, faces, and proverbial audacity simply gets to you and you instantly forgive Raimi for the lack of a proper script and the need for improvement in all aspects. Overall impression: 60%.
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An hour and a half of unbridled fun. The film pretends to be horror, but there is nothing to be afraid of, it’s just fun and marveling at what Raimi has come up with again. There are countless gags and when you add Bruce Campbell, my personal cult actor with charisma to spare, the fun is guaranteed. Clearly the best film of the Evil Dead trilogy!
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A feature-length reinforcement of the cult named Bruce Campbell. The story is non-existent, the atmosphere too and the other actors aren’t even worth a mention. But Bruce and his charisma make all of these negatives seem so petty. The end of the trilogy where Sam Raimi and his ingenious and inventive directing or any kind of a story is important anymore. It’s all about Bruce here, Bruce and... did I say that Bruce plays in this?
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